Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…
Mrs Grose (voice)
Quint (voice)
Flora (voice)
Miles (voice)
Miss Jessel (voice)
Flora (acting)
Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…
1982-01-01
6
When her mother falls for a wealthy man, Lina Cruz must move in with her new stepfather and transfer from an urban East Los Angeles public high school to an exclusive prep school in Malibu, where she struggles to fit in with her affluent new peers. After snooty cheerleading captain Avery blocks Lina from varsity, Lina recruits her best friends from her old school to help her whip the pathetic junior varsity cheerleading squad -- the Sea Lions -- into fighting shape.
Boog, Elliot, and their forest friends return with an all-new adventure, this time in a Big Top Circus! The comedy begins when Boog's pals choose their family obligations over the annual guy's trip, and a disappointed Boog decides to take a trip of his own, which leads him right into the middle of a circus ring...literally. When he switches places with a devious look-a-like circus grizzly and falls for an alluring Russian troupe member, he'll come to realize that maybe you don't have to choose between family and friendship after all.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other, things get complicated. Especially with the increasing danger from the revengeful Soviet army!
Avery, a reclusive older man, has a best friend in his dog, Red. When three teens kill Red without reason, Avery sets out for justice and redemption, attempting to follow the letter of the law. But when the law fails him, and the boys' father clearly defines right and wrong in his own way, Avery must avenge himself by any means possible.
The gang goes on a trip to check on Velma's younger sister, Madelyn. She's been studying stage magic at the Whirlen Merlin Magic Academy, where apparently there have been sightings of a giant griffin. The gang decides to investigate.
With personal crises and age weighing in on them, Riggs and Murtaugh must contend with deadly Chinese triads trying to free their former leaders from prison and onto American soil.
The powerful evil wizard Tarabas gets knowledge about a prophecy that a king's child will defeat him. So he sends out his army of dead soldiers to kidnap all royal children. When the soldiers attack Fantaghiro's castle to steal the babies of her sisters, the battle seems to be lost until she discovers the secret to defeat the solders but by doing that she loses Romualdo. Now Fantaghiro must find the evil wizard Tarabas and convince him to break the spell and bring back Romualdo.
Elsa, Anna and friends search for the Northern Lights.
Jessica Darling – a smart, witty, opinionated girl heading into 7th grade – was never too concerned about where she'd fit in the middle school hierarchy. But before her first day of school, her older sister — the super popular Bethany, now in college—decides to help out by giving her the “It List”—a cheat sheet on how to navigate the middle school maze and rise to the top of the popularity chain. The instructions appear simple enough to follow, but, like life, nothing is as easy as it seems.
Fantaghiro and Romualdo are preparing their marriage when the Black Queen disgusted by their deep love captures Fantaghiro's father. Romualdo and his soldiers go on their journey to free him. But the insidious Black Queen transforms herself into Fantaghiro, makes Romualdo her slave by kissing him and captures the rest of his army. Fantaghiro follows Romualdo although she promised him to stay home, finds the camp deserted and enters the near castle of the Black Queen. When she asks for a duel to free her people she is very surprised to face Romualdo who has forgot her completely due to the magic of the Black Queen.
Elina is a flower fairy who discovers that her home of Magic Meadow has been overcome by a horrible malady that is killing the flowers and making the fairies unable to fly. With the help of Bibble, a puffball and a giant butterfly named Hue she attempts to find Azura, a Guardian Fairy. She's challenged along the way by the evil Laverna who wants to usurp the Enchantress, the ruler of Fairytopia.
Andy "Brink" Brinker and his in-line skating crew--Peter, Jordy, and Gabriella--who call themselves "Soul-Skaters" (which means they skate for the fun of it, and not for the money), clash with a group of sponsored skaters, Team X-Bladz--led by Val--with whom they attend high school in southern California. When Brink discovers his family is in financial trouble, he goes against the wishes of his parents and his friends and joins Team X-Bladz. Brink tries to lead a double life but will be able to pull it off?
A serial-killer frightens Paris by phoning young ladies at night, telling them insults about their lives. Minos, as he calls himself, wants to prevent the world from free women and he targets at first these ones. Commissaire Letellier is given the investigation and he has hard work with the maniac.
A confirmed bachelor sees his beliefs about commitment put to the test when a beautiful woman—deserted by her fiancée—forces him to take his place in the romantic trip she had planned.
Couple Andrea and Giulia, an outwardly successful couple, are having problems in the bedroom. When Giulia invites Max, an old friend from high school, to stay in the family home with their teenage son, some new attitudes begin to form.
Snoop along with Scooby-Doo, Shaggy, Velma, Daphne and Fred one last time in this 10th and Final Volume of What's New Scooby Doo Volume 10: Monstrous Tails. The gang flies to the South Pole to fish for clues in hopes of hooking an amphibious menace in Uncle Scooby and Antarctica. Heading north to the Orient, they toy around in a giant water ducky to cool off a ferocious Chinese fire-shooting dragon in Block-Long Hong Kong Terror. Back down under in Australia's Great Barrier Reef, artist Shaggy enters a sand castle contest where a yucky corral creature threatens to wash away his dreams of Clamalot in Great Reef. So it's good to finally be back in their old Kentucky home -- Fort Knox to be exact -- until a golden ghoul turns everything it touches into statues with it's gold finger in Gold Paw.
Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they're witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?
Seven thirty-something friends organise a post-grad trip they were never able to take after school. They find new adventures on a Greek island, and show that true maturity is never really achieved.
The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals. Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.
An American tourist on a day trip to Sussex from London inadvertently finds himself at Glyndebourne Opera House in Sussex where he learns to appreciate Opera.
Love conquers all – ruthlessly and irresistibly – as Emperor Nero and his mistress Poppea remove the obstacles to their union. At Barcelona’s Gran Teatre del Liceu David Alden’s visually sumptuous production, with its suggestions of a giant game of chess, puts the opera’s potent blend of sex and politics in a context that sets ancient against modern– just as the action juxtaposes scurrilous comedy and stark drama. Monteverdi’s magnificent score, meanwhile, accommodates intrigue, wit, nobility, tragedy and sensuality, and, led by the intense Sarah Connolly and the delectable Miah Persson, the cast brings both drama and music startlingly to life.
Moses und Aron is a three-act opera by Arnold Schoenberg with the third act unfinished. The 2015 Production was led by Romeo Castellucci in Paris. Moses und Aron was filmed for television by film director François-René Martin, in co-production with the Paris Opera, Bel air Media and Arte, with support from the CNC.
Japan, early twentieth century. U.S. Navy Lieutenant B.F. Pinkerton inspects the house he has leased from a marriage broker. The broker, Goro, has procured him three servants and a geisha wife, Cio-Cio-San, known as Madama Butterfly. He is enchanted with the fragile Cio-Cio-San. Cio-Cio-San is heard in the distance joyously singing of her wedding. In a quiet moment, Cio-Cio-San shows her bridegroom her few earthly treasures and tells him of her intention to embrace his Christian faith. The Imperial Commissioner performs the wedding ceremony, and the guests toast the couple. The celebration is interrupted by Cio-Cio-San's uncle, a Buddhist priest, who bursts in, cursing the girl for having renounced her ancestors' religion. Alone with Cio-Cio-San in the moonlit garden, her husband dries her tears, and she joins him in singing of their love.
Mozart's Marriage of Figaro is a comedy whose dark undertones explore the blurred boundaries between dying feudalism and emerging Enlightenment. Herman Prey's Figaro is admirably sung in a firm baritone and aptly characterized. So too, is his antagonist, Dietrich Fischer-Dieskau as the Count perpetually frustrated by the scheming wiles of Figaro and Susanna, here the perky Mirella Freni, who sings and acts like a dream. The Countess is creamy-voiced Kiri Te Kanawa, and the Cherubino, Maria Ewing, looks just like the horny, teenaged page she's supposed to be. The all-star leads are complemented by worthy supporting singers, the Vienna Philharmonic at the top of its form, and the experienced Mozartian, Karl Böhm conducting a stylishly fleet performance.
Rebellious servants, capricious lovers, cross-dressing farce and a happy ending: the fast paced action of this comic Baroque opera had all the ingredients to please the self-confessed ‘low-brow taste’ of an Austro-German prince, who commissioned Giuseppe Scarlatti for a piece to celebrate his son’s wedding. This is the opera’s first revival in modern times, and it takes place in the very same Baroque theatre, impeccably restored to its original glory, which hosted the first performance. With a cast of young singers drawn from Prague’s National Theatre and a stylish period-instrument ensemble, this vivid reconstruction will delight audiences as much today as it did the aristocratic guests at Český Krumlov in 1768. Filmed in High Definition and recorded in true Surround Sound.
Maria Callas’ legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera & Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra & Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre & Carlo Felice Cillario.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
"Orango" - prologue to an unfinished opera by Dmitri Shostakovich (1906-1975), conducted by Esa-Pekka Salonen, performed by the Finnish Radio Symphony Orchestra and the Mariinsky Theatre Academy. In the 1920s, Soviet biologist Ilya Ivanovich Ivanov carried out a series of experiments to create a human/nonhuman ape hybrid. Three female chimpanzees were inseminated with human sperm. No pregnancy occurred.. In 1929 he organized a set of experiments involving nonhuman ape sperm and human volunteers, but was delayed by the death of his last orangutan.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.
The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.
Wagner's Lohengrin is the mythical tale of the mysterious Knight of the Grail, who appears to defend the princess Elsa - wrongly accused of the murder of her brother. Highlights of Wagner's most lyrical score include the famous Wedding March, which accompanies the marriage of Lohengrin and Elsa. Superstar tenor Jonas Kaufmann ("currently the hottest tenor in opera" - The New York Times) makes his role debut in this performance from 2009 and filmed in Munich. He is joined by German soprano Anja Harteros - a former winner of the prestigious Cardiff Singer Of The World competition.
Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.
TDK presents a recording of Puccini’s heart-breaking opera from one of the best opera houses of the world featuring star tenor José Cura and remarkable soprano Maria Guleghina as the two inseparable lovers. Riccardo Muti, music director of La Scala at the time of this performance, gives full weight to the alternation of social realism and private amatory psychology, of crowds and intimacy, body and spirit. And the director of this Milan production, the famous Italian film director Liliana Cavani, provides it with a realistic setting. Every scene looks like a genre painting, from which Puccini’s psychograms emerge musically. This forms the background for the two outstanding singer actors, who take the lead roles.
Maria Ewing, as Dido, heads an outstanding cast of young British singers in a film adaptation of Henry Purcell’s much-loved tragic opera. With spectacular sets, this intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry.