2019-12-10
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The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
Singing and dreaming together, a talented singer-songwriter and a same-aged keyboardist add harmony and love to each other's lives.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
John Mayer at Cidade do Rock, Rio de Janeiro, Brazil on September 21, 2013. Setlist: 1 - No Such Thing 2 - Wildfire 3 - Queen of California 4 - I Don't Trust Myself 5 - Half of My Heart 6 - Slow Dancing in a Burning Room 7 - Daughters 8 - Neon 9 - Your Body Is a Wonderland 10 - Waiting on the World to Change 11 - Dear Marie 12 - Stop This Train 13 - Why Georgia 14 - Gravity
It's been five years since techno overlord Sven Väth ascended the shores of party mecca Ibiza on a mission to conquer the small island. As an alternative to the oversaturation of house and trance that were the staples of island-goers' diets, Väth quietly built up a following during the party season with his Cocoon nights at the Amnesia club. This DVD features Sven Vath mixing live at Amnesia.
Te Blues Explosion perform live at MTV Studios Europe in London on 29 October 1996.
Seminal electronic group Underworld perform live at the 2006 Berlin Love Parade.
16.07.2010 Live at Miles Davis Hall In 1987, a trio known as De La Soul formed from Long Island, NY roots and changed the landscape of hip-hop as we knew it. Now, for over 20 years they have rocked us with their De La songs full of inscrutable samplings, whimsically irreverent lyrics, social commentary, light rhythm and laid back rhymes. They have gained respect within and outside the hip hop community with their contributions to rap, as well as jazz, funk, soul and alternative genres. Not only are their musical innovations acclaimed and respected worldwide, but they paved a path for many alternative rap groups to come after them.
The Flaming Lips perform at the 2009 Rolling Stone Weekender and the 2010 Glastonbury Festival.
Contents Boulez: Initiale /Boulez Ensemble (chamber ensemble) Schubert: Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Anna Prohaska (soprano), Jörg Widmann (clarinet), Daniel Barenboim (piano) Mozart: Piano Quartet No. 2 in E flat major, K493 Daniel Barenboim (piano), Michael Barenboim (violin), Yulia Deyneka (viola), Kian Soltani(cello) Berg: Chamber Concerto for Piano and Violin with 13 Wind Instruments Michael Barenboim (violin), Karim Said (piano), Boulez Ensemble
SET 1 [7:32 - 9:00 PT] Shakedown Street > Cold Rain and Snow Mississippi Half-Step Uptown Toodeloo They Love Each Other St. Stephen 1 > The Eleven > Deal SET 2 [9:39 - 11:29 PT] Sugaree W New Speedway Boogie > Eyes of the World > Estimated Prophet > Drums 2 > Space > The Wheel > Wharf Rat E > Sugar Magnolia ENCORE [11:31 - 11:39 PT] Black Muddy River Key 1 with William Tell Bridge 2 with Oteil on Banjo Bass W Mayer playing Wolf Replica E Explicit Language Credit:/u/donttouchthatknob
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Young Rascals cover) Brown-Eyed Women (Grateful Dead cover) Jack Straw (Grateful Dead cover) High Time (Grateful Dead cover) Mr. Charlie(Grateful Dead cover) Bird Song (Jerry Garcia cover) (with elements of 'The Other One') (>) Don't Ease Me In (Henry Thomas cover) Set 2: Althea(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (> 'The Other One' (verse 2)) (>) Drums(Grateful Dead cover) (with Big Steve Parish) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Encore: Brokedown Palace(Grateful Dead cover)
Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)
Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)
The Jesus Lizard perform at Amsterdam's The Paradiso, with additional backstage interviews.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.