Dimash Kudaibergen - ARNAU Tour in New York

The Music Room(bn)

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Dead Set!(en)

A documentary celebrating the culture, spirit and style of Australian music featuring interviews and live performances from You Am I, Spiderbait, Regurgitator, Custard, Grinspoon, Jebediah, Something for Kate, Frenzal Rhomb, Ammonia, Crow, and Bodyjar.

Interrupted Melody(en)

Interrupted Melody is the inspirational filmed biography of world-renowned Australian soprano Marjorie Lawrence. She’s a foremost Wagnerian, equal to the vocal and physical demands of the composer’s oeuvre. And she’s a beacon of triumph to anyone who fights back when personal tragedy strikes.

Death in Venice(en)

Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.

Ray Charles - Live in France 1961(en)

Lost for 50 years, these newly discovered concerts were filmed at the 1961 Antibes Jazz Festival in France and show Ray Charles in his prime period with the original Raeletts and his most legendary band (including David "Fathead" Newman and Hank Crawford). These first concerts he ever gave in Europe opened the door for Ray Charles to become one of the most revered international stars America has ever produced.

Orphee et Eurydice(en)

I usually don't like classic operas with modernized production and costumes. This one is an exception. The modernized twist is made to fit the story very well and makes watching this opera very enjoyable. Alagna as Orphee does a great job and and is more realistic than a female singer in the role. His impeccable french is an added bonus for french speakers like me. This is the version of this opera that you would want to watch without getting bored

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

A Concert for Heroes(en)

An incredible line up of stars from the worlds of pop and comedy come together in a special concert to mark the nation's appreciation of its servicemen and women.

Playing For Change Band – Live In Brazil(en)

Annie Live!(en)

Annie, the beloved seven-time Tony Award-winning Broadway sensation, comes to life like never before in a live musical event starring Harry Connick, Jr., Nicole Scherzinger, Tituss Burgess, Megan Hilty and Taraji P. Henson, with newcomer Celina Smith in the title role of Annie. The iconic musical follows smart and spirited little orphan Annie, whose whole life changes when larger-than-life billionaire Daddy Warbucks takes her away from an orphanage run by the mean Miss Hannigan. One of Broadway's all-time biggest hits, the stage production features such popular songs as "Tomorrow" and "It's the Hard Knock Life," which are adored by generations of audiences around the world.

Toto: With a Little Help from My Friends(en)

With a Little Help from My Friends captures one special night on November 21, 2020 when Steve Lukather, Joseph Wil-liams and David Paich appeared with the new line-up of Toto for a global event originating from Los Angeles, CA. Joining Lukather, Williams and Paich for this next chapter in their indelible history are new band members bassist John Pierce, drummer Robert "Sput" Searight, and keyboardist / background vocalist Steve Maggiora.

Boney M. - Diamonds(de)

Janáček: The Cunning Little Vixen(cs)

The tale of a quick-witted fox and her escape from confinement for a life in the forest.

Mussorgsky: Khovanshchina(ru)

Kent Nagano superbly masters the challenges presented by this score, shapes the dynamics with subtle intensity, and casts the score in a mellow glow. As Marfa, the spurned lover of Ivan Khovansky‘s son Andrei, Doris Soffel unfolds such a rich palette of sonorities, from the pathos of the lower ranges to shaded discant heights, that “one is tempted to speak of a Russian mezzo”. The final chorus, which Mussorgsky did not compose, is played in the orchestrally transparent version of Igor Stravinsky – the third great Russian composer who contributed to making “Khovanshchina“ a timeless, gripping stage work. With his stripped-down sets and historicising costumes, director Dmitri Tcherniakov, one of the new voices of contemporary Russian theatre, builds a bridge to the political present. A lesson in history and music!

Shostakovich: Lady Macbeth of Mtsensk(ru)

At first glance, the title of Shostakovich’s opera seems to speak for itself: Katherina, neglected and unhappy in her marriage, commits the most heinous crime just like the Shakespearian Lady Macbeth. But Nikolai Leskov’s short novel, which portrays Katherina as a monster, was only the starting point for Shostakovich to elicit understanding for an oppressed woman whose pursuit for self-determination is suppressed by society. Through combining satiric, grotesque and tragic elements in his music, Shostakovich succeeds in striking the balance between repulsion at Katherina’s immoral acts and sympathy for her. Violence, eroticism and the paralysing boredom of Russian society in the 19th century are the founding elements of this composition. The choir and orchestra of the Maggio Musicale Fiorentino conducted by James Conlon accompany tremendous soloists such as Jeanne-Michèle Charbonnet, Vladimir Vaneev and Vsevolod Grivnov in the original language in this live recording.

The Great Waltz(en)

Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.

Peter Gabriel: Back to Front(en)

This spectacular live concert, filmed at London’s O2 using the latest Ultra High Definition 4K technology by renowned director Hamish Hamilton, captures Peter Gabriel’s celebration of the 25th anniversary of his landmark album “So”. To mark the event Gabriel reunited his original “So” touring band from 1986/87 – Tony Levin, David Rhodes, David Sancious and Manu Katché - and for the very first time fans saw them play the multi-platinum selling album in its entirety. But the concert is much more than just a nostalgic trip down memory lane; delivering performances of new and even unfinished material alongside acoustic re-workings and a plentiful supply of classic favourites, broken down into three sections. What Peter calls “the starter, the savoury course and the dessert”.

Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev(en)

Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.

Verdi: Otello(en)

Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).

Free Tibet(en)

A film about the Tibetan Freedom Concert in San Francisco in 1996.