Maria Ewing, as Dido, heads an outstanding cast of young British singers in a film adaptation of Henry Purcell’s much-loved tragic opera. With spectacular sets, this intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry.
Aeneas
Sorceress
Mercury (voice)
Belinda
Maria Ewing, as Dido, heads an outstanding cast of young British singers in a film adaptation of Henry Purcell’s much-loved tragic opera. With spectacular sets, this intense tale of heroism, passion, betrayal and ultimate tragedy is played out against a backdrop of fiery rituals, evil spells and pageantry.
1996-11-18
0
Set in an exclusive boy's school, about a man who plans to kill off his wealthy teacher wife by encouraging her to drink and pushing her into suicide. To assist him he recruits a young student who will claim that he was sexually assaulted by her. (from: http://ftvdb.bfi.org.uk/sift/title/390627)
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.
An old man unethically provides an income for his two grandchildren.
With his familial bookshop on the verge of bankruptcy, Simon finds himself retreating more and more to his cabin in the woods. After witnessing the suicide of a stranger, a childhood trauma involving his bullied best friend resurfaces and he withdraws even further into the past, estranging himself from his wife and his responsibilities. The only glimmer of hope is a young girl who needs help with her book review. But there is more to the girl than there seems to be.
Wolfgang Sawallisch conducts Hans Werner Henze's opera "Der Prinz von Homburg".
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
To the dismay of Allison Edwards, her bookworm, adoring neighbor, Mary Randolph, falls in love with and marries Jack Van Norman, a rich and handsome former football star. After a few months of marital contentment, Jack becomes infatuated with Rose, an exotic dancer.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
4 people intend to commit suicide together by blowing themselves up using a large ball of fireworks, but strange events occur, every times they explode, they don't die and return to their initial state.
Tan Dun portrays the Venetian explorer's travels to the Far East as a journey of both inner and physical discovery, a voyage depicting spiritual experiences as well as a geographical expedition. Pierre Audi's mythical staging and Jean Kalman's fabulous set design complement the composer's own musical direction, forging the dazzlingly versatile soloists, the Netherlands Chamber Orchestra and Cappella Amsterdam to a stunning symbiosis of elements across time and space, a true testimony to cultures intertwined in globalization.
As 2016 draws to a close, a young woman in dire straits waits to catch a passing train, bound for an unexpected destination.
Kazushi Ono and Laurent Pelly offer audiences an inspired and poetic interpretation of Ravel's classic children's opera, L'Enfant et les Sortilèges.
When a guardian angel – who invisibly watches over the citizens of Los Angeles – becomes captivated by a strong-willed heart surgeon, he ponders trading in his pure, otherworldly existence for a mortal life with his beloved. The couple embarks on a tender but forbidden romance spanning heaven and Earth.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Ghiaurov, Freni, and Bumbry were great voices in their time, and they are still effective here -- good enough musicians to put over the quite heavy vocal and expressive demands of their roles. Louis Quilico was never quite in that league, and he sounds a bit spread and woofy in places here, but he works hard and effectively to bring Rodrigo to life. Placido Domingo recorded his first Don Carlo, for EMI with Giulini, about 15 years before this production, but he looks and sounds fine here -- in the early 1980's he was doing very good Otellos and Lohengrins too, and Furlanetto, still in his 30's, brings a rich, young voice to an old part and succeeds in making the Grand Inquisitor vocally as well as expressively formidable. Levine brings both weight and energy to the score, and that reading fits well with the overall "traditional" design and production -- the Met's wardrobe budget must have been severely taxed, but everybody looks splendid.
It truly is an historic performance. Domingo looking and singing like a god pouring out golden tones; Renato Bruson sounds, like the sublime Verdian Baritone that he was at that time; Nicolai Ghiaurov proves again that he was one of the greatest "Verdi Basses"; Mirella Freni shows that there was more to her than just being Mimi and Susannah-in fact I can remember reading that at the time of the premiere of this production that there were fist fights (not unusual in La Scala's gallery) between Mirella's many fans--between those fans that just wanting her to continue singing the light lyric repertoire that they were use to her singing and those that felt she should and could sing the lyric-spinto repertoire which, of course, she proved that,indeed, she could (She's still singing more than twenty years later). This performance captures some of the best Verdi singers of the time doing dear ole wonderful Giuseppi proud.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
When American author Nicholas brings in a cosmetologist named Kika to prepare the corpse of his recently deceased son, she inadvertently revives the young man, then falls in love with him. Forces conspire against the couple, though, as Nicholas wants Kika for himself.