An American tourist on a day trip to Sussex from London inadvertently finds himself at Glyndebourne Opera House in Sussex where he learns to appreciate Opera.
An American tourist on a day trip to Sussex from London inadvertently finds himself at Glyndebourne Opera House in Sussex where he learns to appreciate Opera.
1956-02-01
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La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
On April 5th, 1941, a day before the Nazi attack on the Kingdom of Yugoslavia, a colorful group of passengers is headed for Belgrade...
Stig-Helmer takes another vacation with his norwegian friend Ole. This time it's time for a skiing vacation in the Alps. Of course, Stig-Helmer has never learnt downhill skiing, but he attends a ski school. And together they manage to charm two women also on vacation.
Stan gets a little annoyed when his Mum and Sister keep buying expensive items on hire purchase, but the money he earns for overtime working as a bus driver means that he can afford it... just! His job is secure, as bus drivers are hard to come by, and his overtime prospects are good, until the bus company decide to revoke a long standing rule and employ women bus drivers. Aghast at the thought of
Louis, the chef and Oscar, the head waiter, are in love with Mabel the pretty cashier. The Waiters' picnic is held, and Mabel is the cause of much trouble between Louis and Oscar.
Within the course of a night, Woody Harrelson finds himself in a misadventure in London that winds him up in prison.
Circumstance, an old flame and a mother-in-law drive a happily married couple to the verge of divorce and insanity.
After his wife is murdered by street punks, a pacifistic New York City architect becomes a one-man vigilante squad, prowling the streets for would-be muggers after dark.
Charlie's got a 'job' to do. Having just left prison he finds one of his friends has attempted a high-risk job in Torino, Italy, right under the nose of the mafia. Charlie's friend doesn't get very far, so Charlie takes over the 'job'. Using three Mini Coopers, a couple of Jaguars, and a bus, he hopes to bring Torino to a standstill, steal a fortune in gold and escape in the chaos.
Isolated bell-ringer Quasimodo wishes to leave Notre Dame tower against the wishes of Judge Claude Frollo, his stern guardian and Paris' strait-laced Minister of Justice. His first venture to the outside world finds him Esmeralda, a kind-hearted and fearless Romani woman who openly stands up to Frollo's tyranny.
The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.
Avenged Sevenfold at Cidade do Rock, Rio de Janeiro, Brazil on September 22, 2013. Setlist: 01. Shepherd of Fire 02. Critical Acclaim 03. Beast and the Harlot 04. Hail to the King 05. Buried Alive 06. Fiction 07. Nightmare 08. This Means War 09. Afterlife 10. Requiem 11. Bat Country 12. Unholy Confessions
The film is about the life story of Fatma, a poor girl who lost her family in an accident, when she comes to Istanbul. Fatma comes to Istanbul from Tehran after the death of her family. His goal is to find his uncle here and inherit his father's inheritance from him. Although Fatma finds her uncle, she cannot inherit her father and is forced to work as a maid in this house. His uncle's son Ali and Fatma fall in love with each other and decide to get married. Ali's family sends him to their factory in Iran to prevent this marriage. He also kicks Fatma out of the house.
Vincent, a down-at-the-heels French cab driver, desparately in need of cash for child support is intrigued when Thelma charters his cab for a trip to Crete. As they travel, talk and flirt, they become friends but the situation grows complicated when Vincent discovers that Telma is a trans woman. Will Vincent decide to explore a country that he's never been to?
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Mickey, a free-spirited New York cabbie, and Francis, a materialistic Wall Street stockbroker, are extremely competitive and confused about women as a result of their father's influence. Though they disagree about everything, they have one thing in common: Mickey's ex-fiance Heather is Francis's secret love. Though both brothers have beautiful wives, Heather triggers their longtime sibling rivalry
Phoenix cop Ben Shockley is well on his way to becoming a derelict when he is assigned to transport a witness from Las Vegas. The witness turns out to be a belligerent prostitute with mob ties—and incriminating information regarding a high-ranking figure.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. John Adams, a major musical figure of the last forty years, made this event of contemporary history the subject of his first opera. Nixon in China tackles the political thaw instigated by ping-pong diplomacy, begun by the invitation of the American table tennis players by their Chinese counterparts, one year before the presidential visit. A mesmerising work in which the pulsations and repetitions typical of minimalism are combined with melodic lines of great lyricism. For its entry into the Paris Opera repertoire, this work has been entrusted to the director Valentina Carrasco, who underlines the importance and the mediating power of Chinese national sport in history.