We Are Epicenters of the Earthquake(2020)

The Other Side of Sadness(nl)

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

Offline(cs)

Four teenagers, everyday life, school, work and a week-long offline challenge. What do the lives of today's teenagers look like when they find themselves without an internet connection? In addition to disconnecting, they were to record their feelings and experiences in a video diary. Without the Internet, without music, without movies and series, and without any communication with the world around them, life can turn upside down.

Art Never Sleeps(en)

Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.

80.000 Schnitzel(de)

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

Our Daily Work(ro)

A group of men share a small space in a prison metal workshop in Botosani, Romania. When they’re not working, they animatedly discuss religion and hypocrisy, lament during tea that they don’t have onions for sausage, or joke and sing.

Worlds Apart(my)

In 2012, violent conflicts broke out between the Muslim Rohingya and the Buddhist majority in Rakhine State on the west coast of Myanmar. The government subsequently deported Muslims and imprisoned them in a camp on the outskirts of the city. The documentary looks at the lives of neighbours on both sides.

Mrs. Happy(cs)

A platonic relationship between a young girl employed at a spa hotel and its former client develops through romantic letters full of old-fashioned respect, exchanged between the couple in the mid-50s.

First Birthday After the Apocalypse(bs)

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

Last Knights of the Right Side(pl)

Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?

Varga(sk)

Elevado 3.5(pt)

A documentary about the crowd of people that commingle throughout the 3.5km of the Minhocão, an overpass in the central region of São Paulo, built during Brazil's military dictatorship.

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Spirits and Rocks: An Azorean Myth(pt)

From the ocean, a volcanic island rises into steamy mist. The black rock of the earth stands in sharp contrast to the billowing vapor that hovers and drifts above the surface. A narrator describes how the island’s first inhabitants sought to explain the violent eruption by attributing the devastation to the wrath of angry gods. With breathtaking black-and-white cinematography, this poetic exploration considers the human relationship to this volatile land, where residents live alongside the looming threat of eruption with reverence, fear, and awe. A collection of scenes where dark and light miraculously coexist illuminates both the physical and spiritual landscapes of this extraordinary place, where life endures the perils of the natural world.

Cars Without a Home(cs)

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Isaiah vs. The Hodag(en)

A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.

Meuthen's Party(en)

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

heroes(en)

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

it's a girl!(en)

A self-portrait short film on 16mm from a trans male perspective.