heroes

Top 9 Billed Cast

Salem Rao
Salem Rao

Narrator & Himself

Adrian Bifolchi
Adrian Bifolchi

Himself

Jo Scott
Jo Scott

Themself

Kai Kuelz
Kai Kuelz

Himself

Kai Grenier
Kai Grenier

Himself

Mikhael Klassen-Kay
Mikhael Klassen-Kay

Himself

Nicholas Ginther
Nicholas Ginther

Themself

Minh Tam Huynh
Minh Tam Huynh

Themself

Sky Ravinn
Sky Ravinn

Themself

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Hugo Pratt, trait pour trait
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Workers Leaving the Lumière Factory
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Megaloprepus coerulatus (Pseudostigmatidae) - Flug und Fortpflanzungsverhalten
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For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

The Sun's Gonna Shine
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The Sun's Gonna Shine(en)

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Laerte-se
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In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.

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