Varga

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

The Emperor(en)

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

Worlds Apart(my)

In 2012, violent conflicts broke out between the Muslim Rohingya and the Buddhist majority in Rakhine State on the west coast of Myanmar. The government subsequently deported Muslims and imprisoned them in a camp on the outskirts of the city. The documentary looks at the lives of neighbours on both sides.

First Birthday After the Apocalypse(bs)

In her autobiographical documentary, the young director uses cartoon impressions, photographic memories, and the various stages of baking a cake to draw the viewer into her own stream of consciousness, and using images full of kindness, tenderness, and playfulness, she deals with the sadness that began during a children's birthday party many years ago.

80.000 Schnitzel(de)

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

Art Never Sleeps(en)

Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.

Aeon(en)

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

Last Knights of the Right Side(pl)

Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?

Cars Without a Home(cs)

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Prefabricated Houses(cs)

A student work by Jiří Menzel, filmed during his second year at the FAMU film school. Views of old Prague and its tenement buildings, symbolizing the obsolete past, alternate with shots of construction sites for new prefabricated apartment buildings. In spite of certain unavoidable propagandistic overtones added by the director, it is notable as the beginning of his search for a “dramaturgy of colors.”

Offline(cs)

Four teenagers, everyday life, school, work and a week-long offline challenge. What do the lives of today's teenagers look like when they find themselves without an internet connection? In addition to disconnecting, they were to record their feelings and experiences in a video diary. Without the Internet, without music, without movies and series, and without any communication with the world around them, life can turn upside down.

Ultraviolet(en)

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

El circo(es)

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.

Věděli si rady(cs)

Everything(pl)

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Připraveni(cs)

I See in the Dark(sl)

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?