As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
2020-05-30
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Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
The film takes a look at the daily lives of people in more than two dozen countries around the world during the course of a week. In the film, celebrity friends of Jolie visit orphanages, refugee camps and other areas of concern in an effort to raise awareness and encourage cultural understanding. It is an experimental documentary that seeks to capture both the diversity of life around the globe and the similarities of the human spirit by filming in many places in the world at precisely the same moment.
Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
This film shot by Michael Pilz between 1964 and 2005 is a meditative documentary in which personal images can be read as the director's way to liberation in the spirit of Eastern philosophy. It is conceived as an inner pastiche which permits the message to be immediate and authentic by mosaic-like blending of motifs and time planes where it seems that the film is the only fixed point in the world because, unlike its elusive nature, it has a clear order.
“It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold War antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of images in the dynamic of knowing and not knowing.
Believe it or not, esoteric film sages, i.e., Phil Solomon, are open to the possibilities of working with video — and even video games. This is a film that takes images from the notorious wanton car-jacking shoot-em-up Grand Theft Auto video game.
In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
"Get a never-before-seen look behind the scenes of the making of the sexy and swinging sci-fi Cult classic, Barbarella, in Barbarella Forever. In Barbarella, sixties icon Jane Fonda starred as the saucy astronaut from the 41st century sent to stop an evil scientist and Barbarella Forever features footage of Fonda at work and play during shooting. Gain an insight into the creation of the film’s legendary hand-to-hand sex scene, as well as Fonda and co-star David Hemmings’ processes and working relationship, plus, an insight into the film’s suave French director Roger Vadim. This candid featurette is a snapshot of on and off-set life in groovy 1967 and an unforgettable time capsule capturing a film, and way of filmmaking, that they don’t make like this anymore!"
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
A silent succession of black-and-white photographs of the city of Montreal.
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
"All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.
In the year of 2022, a late teenager and their friends film moments they would prefer not to forget: their long season.
A Paul Joyce documentary with Peter Bogdanovich
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.