Promises to the Future(2020)

Perfect Day(fr)

A recollection of almost 40 years of career. A giant image-jukebox, from early 70s autoportrait to films for Alain Bashung / Elli Medeiros, private karaokes to “video sculptures” applied to John Travolta or Maria Callas, and much much more…

There’s No Such Thing as Ghosts?(en)

Do ghosts exist? In this new documentary, a filmmaker travels to rumored haunted places interviewing psychics, scientists, and skeptics in search of the truth. Along the way, his crew captures unexplained phenomena including a box that allows the dead to speak.

One Second in Montreal(en)

A silent succession of black-and-white photographs of the city of Montreal.

Mamagüela(es)

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

Mike Hodges: A Film-Maker's Life(en)

Over a candid interview with its subject, a documentary concerning the life and work of film director Mike Hodges.

I, Apostate(en)

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Cigarette Philosophy(es)

Vertical Shapes in a Horizontal Landscape(en)

A walk through England’s south coast evokes the artists who lived and worked there.

Michelin Stars: The Madness of Perfection(en)

Food writer and critic William Sitwell investigates the passions, pressures and obsessions behind that apparently all-important description, ‘Michelin-starred chef’. ‘It elevates your average stove monkey to superior cheffy status; it puts you in a completely new culinary class. But how relevant is Michelin? Do we want poncey food? Or can you get a Michelin star for a good steak and chips? Is the Michelin Guide harmful in its influence? And does the path to Michelin-starred perfection lead to dangerous obsession?’

Made in the USA(en)

A Paul Joyce documentary on the American independent film scene.

The Red Bank. James Joyce: His Greek Notebooks(el)

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

Return(es)

Documentary about emigration between the Canary Islands and Cuba during the late 19th century and early 20th century.

No Country For Young Men(it)

A retired bricklayer wants his grandson, who lives hundreds of miles away, to stay with him. Will he convince the young man despite the lack of opportunities in the country?

Swole(fi)

In Swole I continue to document my commitment to an intensive and transformative gym and diet regimen, as well as the communities that form around such activities, sustaining themselves through texting and sharing videos and photos on social media. I learn the vocabulary of my new community.

Dents Meadow: The Final Days of John Wilkes Booth(en)

This short documentary follows historian Kate Taylor as she recounts John Wilkes Booth's final attempt to escape across the Potomac River.

20 years after Caméra Café(fr)

To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.

EXPRMNTL(en)

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…

Just Hold Still(en)

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.

Todo Todo Teros(en)

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Refrains Happen Like Revolutions in a Song(tl)

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”