Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.
2009-07-31
10
5.4This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
6.0From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".
"The majority of my 8-mm works were made for the three-minute "Personal Focus" film special put on in Fukuoka. This film is an animation of photographs I had taken on a regular basis as a sort of diary, and was made to have a rough feel to it." - Takashi Ito
9.0An eight-hour contemplative epic, entirely starring sheep.
0.0A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
0.0The reception ebbs and flows as the unfamiliar landscape whirls by the window of a plane or train or car. Communication is delayed, fragmented, interrupted. Memories of a distant country.
5.0An experimental film about that one hypnotic moment on a regular, unassuming Tuesday when one realizes that time has stopped and the universe has been sucked into a single smile.
6.5For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
0.0'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra
7.8A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
0.0This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
0.0Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
0.0After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
0.0Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
0.0This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
0.0Experimental film by Motoharu Jonouchi comprised of both archival footage from the 1960s Japanese student riots and dramatised re-enactions. It was created as a tribute to Michiko Kamba, a student victim of the riots.
0.0Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
5.9Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.
5.0Mr Lucas, a grocer, wants to attract the clientele; he imagines a lottery; every week, you can win a bike. It's a big success.
5.5Teresa is an artificial intelligence device that comes from the United States to Colombia to be tested in a real world and with a very particular family: Los Rico. Teresa arrives just at Christmas time, where between novenas, fritters and custard, she will discover deep connections with her new family.
5.0A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.
8.0Óscar Alberto Pérez (1981-2018) was a Venezuelan policeman who, after Nicolás Maduro had been sworn in as president, became an active opponent of his regime. In June 2017, he attacked the Supreme Court of Justice from a helicopter. In January 2018, the Venezuelan national guard tracked him down, and although he gave up to them, shot him dead along with five other rebels. The film is his traditional portrait sketched out as a pattern edited documentary with Pérez himself having taken part in its making. Actually, all audiovisual material that the editor Romain Champalaune composed the film of comes from Pérez’s profiles on social networks.
Madhuri was thrilled when her brother Jimmy accepted her invitation for a holiday in the USA. Jimmy boarded a Jet Airways flight and landed at Dulles International Airport, where Madhuri greeted him with open arms. Joining them were her friends Katrina and Priyanka, ready to make the trip unforgettable. Their adventure began at the breathtaking Niagara Falls, where the misty spray left them laughing and drenched. In New York, they marveled at the city lights and strolled across the iconic Brooklyn Bridge. Washington, D.C., offered monuments and history, while Las Vegas dazzled them with its neon nightlife. The journey ended with a serene hike through the stunning Valley of Fire State Park. Every moment was filled with laughter, pictures, and stories that turned into lifelong memories. As they sat under the stars on their final evening, Jimmy smiled and said, "Life is a journey, and this one has been incredible. But the journey never stops.
10.0A film about dreams and opportunities, not about problems.
4.0As they grew older, Cristina and Lola were silenced. They obeyed and kept silent for a long time, until today. The protagonists of this docufiction short film raise their voices to bring us closer to the intersex life stories and share our reflections on bodies, identities and desire. A liberating opportunity not only for them, but for everyone.
4.2Ever since the 2011 revolution in Egypt, dozens of women have come forward about their experience with sexual harassment on the streets. Since then, a number of individuals and organizations have begun to monitor and help combat the situation. In this short film, Sondos Shabayek offers an animated reflection on how she believes Cairo society perceives women. In her signature style, Sondos uses a variety of characters and expressions to light-heartedly explore this serious issue. The audience is taken on a girl's experience of walking down a street – simultaneously sharing her journey and her responses.
6.3A young man gets thrown into detention after an episode of sexual assault; he soon meets several impostors in the same situation.
7.0Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!
4.6A wordless man stages an unexplained hunger strike and the people surrounding him exploit his silence to further their own cause...
6.5Rocky, a born-and-bred London teenager, begins to question the strict routine set by her father – as well as deeper feelings about her own identity – after meeting a free-spirited girl in a local launderette.
3.6Nazis dressed to look like Great Apes are looking for gold, and Jungle Jim must stop them.
6.2In this Roy Rogers entry, featuring a song written by Oklahoma Governor Roy J. Turner (making him and Lousiania's Jimmie Davis and Texas' W.E. "Pappy" O'Daniel possibly the only state governors to write songs used in a western), Flying U ranch owner Sam Talbot is killed by a fall from a horse. St. Louis reporter Connie Edwards comes to check a rumor that he might have been murdered. She goes to Roy Rogers, editor of the local newspaper, and he takes her to the reading of Talbot's will. The ranch is left to Talbot's 12-year-old ward, Duke Lowery, much to the dismay of Talbot's niece, Jan Holloway. After some attempts on Duke's life, Roy finally proves that Jan, Steve McClory and coroner Jim Judnick had Talbot killed and are conspiring to do the same for Duke, making Jan the last heir.
5.0The demonic Nicholas Diabolus is put on trial accused of interfering with people's lives.
6.0A tragical story of love between two young people during WWII.
6.0Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.