Adios amigo mío, sin gestos, sin palabras

I Can't(en)

A roll of film is not a successful conduit for grief. For Robert Todd.

Embodiment of Darkness(en)

A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless

Duration-Landscape: Rocks(gl)

"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.

Amir Hetsroni: Case Study(he)

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

Replika(pl)

Karl's Perfect Day(en)

A day in the life of Swedish poet Karl Holmqvist.

Mapocho(en)

A visual journey through the Mapocho river.

Terminal City(en)

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye

Still Life #02(xx)

Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the intangible: the digital image. It manages to embody the pixel and carve it with a chisel; to explore its physical nature through direct intervention.

Burial Pyramid(en)

Mendieta, Ana: Burial Pyramide, Yagul, Mexico.

Moby Dick(he)

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

Landscape (for Manon)(en)

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Bouddi(en)

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

Now Eat My Script(en)

"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

Metalogue(en)

1996 Peter Rose short work. A magician-like figure delivers a peculiar speech that is embedded in extravagant arrays of time-delayed images that reflect and refract ideas about memory, time and language.

Thee Backslacpkping With Media(en)

A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".

Elle(en)

Elle is an experimental dance film shot in a semi industrial landscape in Brooklyn reflecting on every day movements of falling and getting up.

Ripple(en)

RIPPLE, 2020. HD digital video loop & steel & hardware, duration: 5 minutes. Soundtrack by Kevin Carey.

Alma(en)

"The details of the script for Alma were modeled from data that the artist collected from her own digital devices. The film describes a woman who enters into a private contract with a room. The objects in the room monitor how she feels as they respond to her in real time, comforting her with their physical presence and touch. The room tracks the character’s steps and her screen time, but it also monitors impossible data points, like what she would have accomplished if she had lived a different life. The first half of the film celebrates the unreality of her wishful thinking that technology is capable of solving any problem. In the second half of the film, these optimistic ideas are traded for a catastrophic vision of her digitally connected self. In the end, she is immersed in a space that describes what it once was like to be among other people. While physically separated, she waits indefinitely in a digital rendering, surrounded by a phantom of human presence." — Jane Lombard Gallery