Roda Viva Roda Brasil

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Forenoon of a Faun
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Forenoon of a Faun(sh)

1963-06-03

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

I, Apostate
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I, Apostate(en)

2018-11-28

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Notes on the Circus
68%

Notes on the Circus(en)

1967-05-23

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

She Had Her Gun All Ready
82%

She Had Her Gun All Ready(en)

1978-01-01

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.

Something New to Die for
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Something New to Die for(en)

1993-08-06

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

The Day When...
70%

The Day When...(fr)

1997-01-01

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

Untitled (Pink Dot)
75%

Untitled (Pink Dot)(ja)

2007-01-01

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Shoot Me
62%

Shoot Me(en)

2013-09-26

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Threshold
65%

Threshold(en)

1972-01-01

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

Púlpito e Parlamento: Evangélicos na Política
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Púlpito e Parlamento: Evangélicos na Política(pt)

2016-03-18

From a small family from the outskirts of São Paulo to the National Congress, a documentary about how political discourse is born, grows and is founded among evangelicals.

Feeler
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Feeler(en)

2016-06-27

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Anima Mea
100%

Anima Mea(en)

2022-09-30

When Mariana connects the Military Dictatorship's violent legacy as the structure behind Brazilian families, she embarks on an introspective journey to deconstruct her family life growing up in Brazil.

Barn Rushes
62%

Barn Rushes(en)

1971-01-01

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

Dilema I: Burundanga Boricua
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Dilema I: Burundanga Boricua(es)

1990-01-02

Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.

Song 5
42%

Song 5(en)

1964-03-20

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Maniac Summer
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Maniac Summer(fr)

2009-12-05

Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.

Genova Genova
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Genova Genova(fr)

1984-04-05

A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills which offer an amazing view over the old town crossed by a highway and port.

Thoughts and Visions of a Severed Head
50%

Thoughts and Visions of a Severed Head(fr)

1991-01-01

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

Spectrum
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Spectrum(xx)

2019-09-05

A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.

Polka Graph
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Polka Graph(en)

1947-01-01

Short film by Mary Ellen Bute