Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.
Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.
1971-08-25
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Chris Packham presents, mentioning others that didn't quite make the list, his favorite top ten animal - and plant species from the half million discovered in the first decade of the 21st century. The animals include the most endangered African monkey, a lemur (Madagascar simian), a mouse-size and -resembling relative of the elephant, a Caribean island-adapted sloth, a shark which 'walks coral reefs on an arm', the largest mega-stick, a deep sea jellyfish without tentacles and a jungle gecko mutation happening in Malaysian state Perlis in order to flee serpent predation into caves. Plant species include a giant Venus-flytrap on Palawan (Philipines) and the largest ever orchid from Peru.
The documentary details the 'Pulped Fiction' project by British visual artist David Shrigley, who has produced a limited run of 1,250 copies of George Orwell's dystopian novel 'Nineteen Eighty-Four' made entirely from the pulped remains of unwanted copies of 'The Da Vinci Code'.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
Rock 'n Roll Junkie is a documentary about the extraordinary life of dutch rock 'n roll myth and personification of sex, drugs and rock 'n' roll Herman Brood.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
A documentary about an Iowa artist who made his career from two antique photo albums that he found in the trash. It has been four years since he originally found the two photo albums and since then he has had featured exhibits around the country. This is the first film in the MADE IN IOWA documentary series.
Through interviews with different people linked to the work and life of the Basque sculptor Jorge Oteiza (1908-2003), this documentary aims to unravel fundamental aspects of his work.
Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.
Flanked by her phlegmatic sidekick, Dariko is the only outside broadcast journalist at a local Georgian television channel. With derisory resources, she races from one report to another to give an honest, if not objective, image of the current events that shape her environment.
A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
The representation of women in contemporary Italian media
In part of the HBO's America Undercover series, this documentary provides an insider's view of mental illness, and the use of psychotropic drugs to alleviate some of its symptoms. Tracks the odyssey of four psychiatric patients, beginning with their arrival at Massachusetts General Hospital and the affiliated Lindemann Center, revealing their personal struggles and inner strength as they enter the world of psychiatric treatment to seek relief from insanity.
Debate Team is a documentary exploring the weird subculture of competitive college debate. Competitors battle at 360 words per minute, hauling around mountains of evidence called "cards" and nearly every debate ends in global nuclear annihilation. In 2005, some 200 teams converged on San Francisco State to compete in the National Championship. The documentary follows four teams, from Michigan State, Harvard, West Georgia, and Berkeley in their quest for the national title. What emerges is not simply the chronicle of the thrill of victory and the agony of defeat, but a more disturbing examination into the nature of competition itself and the American fetish with championships and champions.
A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.