To Be Twenty in the Aures(1972)

Don Giovanni(it)

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

Songs Overheard in the Shadows(en)

Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.

Johan Falk: The Outlaws(sv)

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

The Art Of Waiting(he)

Liran and Tali, a couple in their thirties who dream of having a child together, are one day told that they will have to undergo fertility treatments. What seems simple at first turns out to be very complex.

Slave(hi)

A working man's life is changed after he breaks the routine.

Dharmaveer 2(mr)

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Skin of a Mandarin(et)

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Devil's Island(sh)

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

Every Man for Himself(en)

This Our Gang short has the group running an athletic club where Joe is put through a couple fights. They also appear to be running a wireless shoe-shining gig where they get customers by splashing paint on their shoes.

Kaantha(ta)

Set in the backdrop of a film set, in the 1950’s in post colonial Madras, the film is centred around the professional rivalry between a film-maker trying to make his seminal film and the top reigning actor who the director once introduced. The rivalry spirals around the leading actress, a debutante and as the relationship between the three.

Smash TV - Skinemax(en)

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

The Lingerie Murders(ko)

Lee Ha-yeon is the wife of the heir to Ilsin Group and even so one of the richest women in South Korea. She is respected and enjoys the luxury of her penthouse. But one day she is found dead in a hotel room. The police thinks she had been poisoned and is investigating the case very secretly to avoid a scandal. But they have no clue what happened to Lee Ha-yeon. They are no signs of a forced entry and there are no fingerprints at all. The police are even wondering what Ha-yeon did in this hotel room. But the police is joined by Ha-yeon's estranged sister Ha-jong who received a camera from her sister just shortly before her death. The camera reveals that Ha-yeon had several sex chats and meetings. And they also get to know that Ha-yeon had been blackmailed and finally they witness how she was killed. Ha-jong feels guilty as she couldn't help her sister and she becomes desperate to find the murderer.

Karura Mau OVA(ja)

Shoko and Maiko Ougi are apparently two ordinary schoolgirls in pursuit of graduating and having fun. Shii-chan is the more serious while Mai-chan is more fun-loving. In reality, the two sisters are powerful exorcists from the Karura temple. Each wields half the power... Shii-chan can see the spirits, and Mai-chan can banish them. This is a spooky series with heavy emphasis on traditionally Japanese occult themes.

Titixe(es)

The last peasant of a Mexican family has died and with him all wisdom has gone to work the land. Without agricultural experience, her daughter and her granddaughter will try one last planting to convince the grandmother to stay with the family land. Together you will find the vestiges of this man and his work.

Wait Please(en)

A wonderfully touching tale about love

The Lottery of Happiness(fr)

Mr Lucas, a grocer, wants to attract the clientele; he imagines a lottery; every week, you can win a bike. It's a big success.

Girl(en)

Ever since the 2011 revolution in Egypt, dozens of women have come forward about their experience with sexual harassment on the streets. Since then, a number of individuals and organizations have begun to monitor and help combat the situation. In this short film, Sondos Shabayek offers an animated reflection on how she believes Cairo society perceives women. In her signature style, Sondos uses a variety of characters and expressions to light-heartedly explore this serious issue. The audience is taken on a girl's experience of walking down a street – simultaneously sharing her journey and her responses.

O Aborto Não É um Crime(pt)

Polemical short documentary, produced by Cinequipe.

A Captain's Honor(fr)

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.

Traps(en)

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

July Dust(fr)

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.

Noua(ar)

In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.

Haïti, la rançon de l'indépendance(fr)

Dark Night, October 17, 1961(fr)

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Coup de Torchon(fr)

A pathetic police chief, humiliated by everyone around him, suddenly wants a clean slate in life, and resorts to drastic means to achieve it.

The Zerda or the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Dawn of the Damned(fr)

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

The Outlaws(fr)

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

Intimate Enemies(fr)

A drama following a French platoon during Algeria's war of independence.

An Unhealed Wound - The Harkis in the Algerian War(fr)

It's the unforgivable story of the two hundred thousands harkis, the Arabs who fought alongside the French in the bitter Algerian war, from 1954 to 1962. Why did they make that choice? Why were they slaughtered after Algeria's independence? Why were they abandonned by the French government? Some fifty to sixty thousands were saved and transferred in France, often at pitiful conditions. This is for the first time, the story of this tragedy, told in the brilliant style of the authors of "Apocalypse".

Mesrine: Killer Instinct(fr)

Jacques Mesrine, a loyal son and dedicated soldier, is back home and living with his parents after serving in the Algerian War. Soon he is seduced by the neon glamour of sixties Paris and the easy money it presents. Mentored by Guido, Mesrine turns his back on middle class law-abiding and soon moves swiftly up the criminal ladder.

The Blessed(fr)

Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.

The Battle of Algiers(it)

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

Les Sept Remparts De La Citadelle(fr)

The feature film “The seven ramparts of the citadel”, a fiction recounting the conflict between an Algerian family expropriated from its land and a bloodthirsty settler; by director Ahmed Rachedi. Adapted from the eponymous novel by Mohamed Maarafia, the film, whose plot begins in 1954, tells the story of two characters, Thebti and Lucien, “the fellaga and the colonist”, a story of crossed destinies. “After having engaged in a fight to the death, after having both traveled a long path of embers, (they) finally find themselves face to face and above all each face to themselves”.

Gerboise Bleue(fr)

"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities

Children of the Sun(ar)

The Olive Trees of Justice(fr)

The son of a French colonialist in Algeria returns to Algeria after learning that his father is ill. Memories from childhood return. He also must deal with some problems involving the Algerian fight for independence.

The Desert Ark(ar)

The Desert Ark (L'Arche du Desert), a variation on Romeo and Juliet set in the Algerian desert. A young couple must face inevitable conflict when their rival families discover their secret love. Taking refuge in a cave, they listen to the sounds of a senseless campaign of violence and murder, which is the culmination of the extremism that has long divided their two communities. Nominated for the Golden Leopard at the 1997 Locarno Film Festival.