
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
1983-02-27
7.6
5.9Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
4.8Two American GIs are the only survivors of a unit wiped out in a battle with Japanese troops on an isolated island. The two, who don't like each other, find try to put aside their differences in order to evade the Japanese and survive.
6.0Ronnie lost her brother. Faye lost her first love. These two best friends set off on a debaucherous road trip to the mountains to get over the death of the man they both loved.
5.9At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
7.4A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
4.916-year-old girls Alma and Bea had managed to lure the middle-aged football coach Carl into a changing room at the football club. They got him where they wanted. He wanted to see them naked. They wanted to see him suffer. They shouldn’t have done that, or should they?
7.2Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.
7.9Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
6.0Telly has joined the Letter of the Month Club and is excited! Vinnie begins delivering Telly's letters, but they take over Hooper's store where Alan is preparing for a birthday party.
5.0The Deep River Boys sing an exciting version of Toot that Trumpet (1941), staged as a club setting with lots of dancers, Chinese paper lanterns hanging from the ceiling and a lively trumpet player.
6.6The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.
5.4After losing a coveted role in an upcoming film to another actress, screen queen Mona Marshall (Lola Lane) protests by refusing to appear at her current movie's premiere. Her agent discovers struggling actress Virginia Stanton (Rosemary Lane) -- an exact match for Mona -- and sends her to the premiere instead, with young musician Ronnie Bowers (Dick Powell). After various mishaps, including a case of mistaken identity, Ronnie and Virginia struggle to find success in Hollywood.
6.0A novice teenage witch attempts to woo the love of her life with a love potion, but when things spiral out of control, more twisted measures are taken to win her heart.
7.2A ruthless billionaire, Neeraj, uses beggars as benamis to launder money, with the help of a disgraced civil submit servant, Deepak. One of the beggars, Deva, escapes with ₹10,000 crores and becomes the target of a deadly manhunt. He meets Sameera, who joins him in his mission to use the money to uplift society's poor. With Deepak's help, Deva fights back.
6.1A virtuous and passionate girl falls in love with a cynical but a dashing aristocrat.
6.9Forced to work under slave-like conditions in a "prison for profit" program, the inmates of a mostly-African-American female prison, Whitehead Correctional, try to take over the institution.
6.0Paul is agonising over his interpretation of 'Uncle Vanya' and, paralysed by anxiety, stumbles upon a solution via a New Yorker article about a high-tech company promising to alleviate suffering by extracting souls. He enlists their services—only to discover that his soul is the shape and size of a chickpea.
5.1This searing British thriller follows Flash (Dylan Duffus), who's safeguarding his buddy Angel's (Yohance Watson) cash until his release from prison. Now Angel is out -- and Flash is 100 pounds short. He turns to a lowlife named Evil (Tobias Duncan) for help, the first in a series of mistakes. Now, Flash has more than just Angel hunting him down. Directed by Penny Woolcock (Mischief Night), the film co-stars Ohran Whyte and Chris Wilson
5.1The story of Gwen Araujo, a transgender teen who was murdered in California in 2002.
6.4Riyo, an orphaned 17-year old, sails from Yokohama to Hawaii in 1918 to marry Matsuji, a man she has never met. Hoping to escape a troubled past and start anew, Riyo is bitterly disappointed upon her arrival: her husband is twice her age. The miserable girl finds solace with her new friend Kana, a young mother who helps Riyo accept her new life.
6.1In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.
6.4David Letterman vies with Jay Leno and his manager to succeed Johnny Carson, retiring from "The Tonight Show."
7.8An Unreasonable Man is a 2006 documentary film that traces the life and career of political activist Ralph Nader, the founder of modern consumer protection. The film examines Nader's advocacy for auto safety features, such as federally mandated seat belts and air bags, as well as his rise to national prominence following an invasion of privacy lawsuit against General Motors.
7.0Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.
8.8How Not to Be Seen: A Fucking Didactic Educational .MOV File (2013) mocks an instructional film on the idea of becoming invisible in the digital world.
7.1A drama centered on two women who engage in a dangerous relationship during South Africa's apartheid era.
6.6A mild-mannered psychopath plays mind-games with a woman he has tied to a chair in his basement.
4.4When a teenager finds herself pregnant, with no memory of having had sex, she determines that she is carrying the child of God.
7.1A woman who is unfairly institutionalized at a Paris asylum plots to escape with the help of one of its nurses. Based on the novel 'Le bal des folles' by Victoria Mas.
6.4A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.
3.6Anne B. Real is the coming of age story of a young female rapper, who finds her inspiration by reading the Diary of Anne Frank.
6.8The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.