The Blessed
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Nuit noire, 17 octobre 1961(en)
Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.
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Although Brad has a satisfying career, a sweet wife and a comfortable life in suburban Sacramento, things aren't quite what he imagined during his college glory days. When he accompanies his musical prodigy son on a university tour, he can't help comparing his life with those of his four best college friends who seemingly have more wealthy and glamorous lives. But when circumstances force him to reconnect with his former friends, Brad begins to question whether he has really failed or if their lives are actually more flawed than they appear.
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From her childhood, Nadia felt responsible for her mentally disturbed and recently homeless mother, Irene. For a while Nadia had cut off all contact with Irene and tried to live her life, until Irene suddenly appears drunk at the wedding of her son, Mickey. Nadia sinks back into this quagmire of love and hate, responsibility, guilt and shame. She gathers her strength to find a home for her mother while at the same time she hides from her partner, Ian, the fact that the drunk woman at her brother's wedding was her mother. But no one can oppress Irene, let alone her daughter.
To Be Twenty in the Aures(fr)
A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012
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recueillement(de)
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