Ústřední loutkové divadlo(1954)

80.000 Schnitzel(de)

Battering, breading, frying – Berta has prepared thousands of schnitzels in her old cast-iron pan over the years. This 83-year-old landlady’s life on the family farm with adjoining guest house in the Upper Palatinate has been marked by constant hard work. A life that her granddaughters Monika and Hannah never wanted to lead. Now, the deeply indebted farm is on the brink of collapse. Despite having an academic background and contrary to her intentions, Monika, in her early thirties, decides to give up her modern life and save the family business. The two women join forces and give themselves a year to sort out the farm’s problems.

Art Never Sleeps(en)

Acclaimed director Francis Ford Coppola, with the help of a passionate team of film students with a shared dream for the artistic potential of live digital cinema, work towards realising the director's 'Distant Visions' live-cinema experiment.

The Other Side of Sadness(nl)

In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.

Offline(cs)

Four teenagers, everyday life, school, work and a week-long offline challenge. What do the lives of today's teenagers look like when they find themselves without an internet connection? In addition to disconnecting, they were to record their feelings and experiences in a video diary. Without the Internet, without music, without movies and series, and without any communication with the world around them, life can turn upside down.

Elevado 3.5(pt)

A documentary about the crowd of people that commingle throughout the 3.5km of the Minhocão, an overpass in the central region of São Paulo, built during Brazil's military dictatorship.

2012: Time for Change(en)

2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.

Cars Without a Home(cs)

Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.

Aeon(en)

Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.

Hawaii: Living on the Edge in Paradise?(en)

During the summer of 2018, hundreds of earthquakes shook the summit of Kiilauea, sparking the volcano's largest eruption in 200 years. To some, it was a disaster. To others, it was the goddess Pele's way of creating new aina (land). The Hawaiian peoples' resilience and cultural unity is a lesson in the true spirit of Aloha.

Isaiah vs. The Hodag(en)

A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.

Inside/Outside(en)

Truth becomes the source of creativity; actions are a result of being, not thinking. This film, INSIDE/OUTSIDE is based upon Monika’s processes over many years. Robert Golden has had the privilege of meeting and photographing some of Monika’s late work. Although her teaching is for performers, Robert has said that her gift of understanding humanity has been gifted in some small ways to him. Monika’s inspirational way of working, helps actors to find a unity between their inner psyche and its outer expression. The 46-minute film shows a precise description of her work. Monika explains it in detail along with thoughts about movement, performance and theatre. The insightful and entertaining book and film are relevant to actors, dancers, Laban yoga, Feldenkrais, Pilates and other sports and movement systems and to people working with children.

6-18-67(en)

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

Everything(pl)

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Cimrmani(cs)

The Street Performers(en)

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Last Knights of the Right Side(pl)

Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?

Varga(sk)

Time is(ce)

In a quiet and snowy Chechen village, mother tells her daughter about the return of Zara – their relative, who left this place 20 years ago. Outside, the whole world is hidden in a thick white fog. For both women, the upcoming meeting is a bright event in their dull daily life that they are very much looking forward to.

Manifest(da)

An intimate statement about the filmmaker’s need for self-expression through her own nudity and simultaneously an effort to reject the taboo of patriarchal society. Using diary entries, anger-filled personal reflections, and discussions with a mother painting her nude daughter, the film opens the topic of overcoming shame for one’s own physicality and female sexuality.

Our Daily Work(ro)

A group of men share a small space in a prison metal workshop in Botosani, Romania. When they’re not working, they animatedly discuss religion and hypocrisy, lament during tea that they don’t have onions for sausage, or joke and sing.