Aeon(2004)

I Fiori(it)

Time lapse documentary about the lifecycle of flowers.

The Hollow Men(en)

The 'stolen' insider emails that informed Nicky Hager's best-selling account of National's 2005 election campaign return in Alister Barry's (Someone Else's Country) new film - just in time to caution us against campaigning politicians in 2008. Addressing each other like schoolboy Machiavellis, party leader Don Brash and his advisors spelled out how they'd copy the big boys in Australia and the US in order to win the votes of people who'd never support the kind of policies such men are widely presumed to represent. The dividing and conquering began at Orewa.

Owl Gets in Your Eyes(en)

A cinematic haiku by Chris Marker.

Tchaïka(en)

A still, highly overexposed shot of a car bridge and the river below. A cinematic haiku by Chris Marker.

95th Rifles: 1812 to the Pyrenees(en)

After the victory at Salamanca Wellington's Army had mixed fortunes and by the the winter of 1812/3 was back in Portugal. Wellington took advantage of the winter to re-equip and retrain his army for his final master stroke in Spain. In June 1813 Wellington launched his whole army in a rapid push NW towards the Spanish/French border outflanking the French. At Vittoria he beat the main French Army on 21st June and pushed the remainder into the Pyrenees on The French border. He was now able to prepare for the invasion of France. In all these actions and leading the Army were the Light Division containing the 3 Battalions of the 95th Rifles. It was during this period that they had some of their toughest and bloodiest actions that showed them to be an elite formation.

Mögöbalu, Les Maîtres des Tambours d'Afrique(fr)

Cavalry Charge: La Haie Sainte & Plancenoit - The French and Prussian Attacks(en)

Following on from Hougoumont and D'Erlon's Attack, Part III starts just as the great battle reaches its crisis point. Marshal Ney launched thousands of France's finest heavy cavalry against Wellington's thinning lines who had already taken a terrible battering on the Mont St Jean Ridge. Wave after wave of armoured horsemen broke against the steady squares of British, Dutch/Belgian and German troops. The crisis, however, took a further turn for the worse as the key bastion in Wellington's centre, the fortified farm of La Haie Sainte, fell to the French onslaught. The way to Brussels was now open and Wellington muttered, 'Give me Blucher or give me night'. With the situation looking bleaker by the second for Wellington and his troops, Napoleon fatefully hesitated to complete the coup de grace as the Prussians had closed in on his right flank at the Village of Plancenoit. Would the Young Guard be able to hold Blucher's men? There was all still to play for.

Fritz Hauser: Sound Explorer(de)

A documentary about experimental drummer Fritz Hauser.

Waiuku Vistas(en)

Waiuku Vistas is observational documentary exploring the feeling and mana of Waiuku, New Zealand. Follow two filmmakers as they shoot, capture and document the beauty of the land in the space of a day.

Sacred Site(en)

High-speed film and time-lapse photography combined to create breathtaking images of the night sky and Halley's Comet in this astronomical short subject.

Secrets of Life(en)

A feature-length documentary showing the changing world of nature, the sky, the sea, the sun, planets, insects and volcanic action. A story of nature's strange and intricate designs for survival and her many methods of perpetuating life.

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

TimeScapes(en)

Stunning slow-motion and timelapse cinematography of the landscapes, people and wildlife of the American South West.

Cinema of Unease: A Personal Journey by Sam Neill(en)

Actor Sam Neill discusses New Zealand film and his own experiences within and without.

Merata: How Mum Decolonised the Screen(en)

This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.

Demolishing and Building Up the Star Theatre(en)

Time-lapse photography showing the one month-long demolition of the Star Theatre in New York.

May I Be Happy(en)

Through poetic cinematography and stories of teachers sharing their wisdom with children from a range of backgrounds, the film showcases the benefits of mindfulness as a way out of violence and suffering, and as an attainable solution for younger generations.

Fast Break(en)

Evoking a cinema verite feel not found in most sports documentaries, Fast Break examines the 1977 Portland Trailblazers basketball team in a surprisingly personal and compelling fashion. Inter-cutting excerpts from the 1977 playoff / championship season, the film steps outside of the basketball court, and into the everyday lives of the Trailblazers, as well as their coach Jack Ramsey. Whether it’s biking the Oregon coast with star center Bill Walton, hosting a kids basketball camp with Dave Twardzik, or joking with Maurice Lucas at the pool – Fast Break lets the players speak for themselves: about basketball, life and playing in Portland. Fast Break, a film documentary about Bill Walton and the Portland Trail Blazers winning the 1976-77 NBA title and the aftermath of their accomplishment, is the greatest movie I have ever seen on the subject of professional team sports, basketball as a metaphor for life, and the perfect practice of Zen Buddhism in American society.

Didactica Magna: Against the Grain(cs)

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.

I See in the Dark(sl)

Confessions of people who have lost their sight during their lives. What are their feelings and how do they view their apparent handicap?