And Yet We're Not Super Heroes(2020)

Adelina(es)

Adelina, going for the first time to a museum, discovers her artistic side.

Everybody knew(es)

In 2023, the Ombudsman presented a report on sexual abuse in the Church in Spain. Victims' accounts reached the European Parliament. Among them were the abuse suffered by two brothers at the boarding school where they attended as children.

Let the Child Be the Guide(fr)

As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.

In Loving Memory (of Who We Used to Be)(en)

Puberty, sibling rivalry, and school crushes make up the small world that 10-year-old Vicky lives in. But the memories of birthday cakes and carefree days begin to get muddled when persistent anxieties set in to haunt the past. The clutter, clash, and recollection of her mistakes, insecurities, and triumphs reconstruct the ever-changing phases of Vicky's tween life. A stranger to her own self, director Vicky Lee reflects on the naive girl that she once was.

The Echo(es)

In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.

Welcome Home Freckles(ko)

After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

What You’ll Remember(en)

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

Enfants de Daech, les damnés de la guerre(fr)

Little Girl(fr)

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

The Final Day(es)

Yadira, a creative young Cuban girl, struggles packing on her final day home. Embarking on an immigration journey alone, her suitcase feels too small to carry everything her heart holds.

Me and My Magnet and My Dead Friend(zh)

My childhood memories carry two important symbols, a large magnet that I pulled around behind me and a dead friend.

That Kid(fr)

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

The Monsters in My Home(en)

"The Monsters in My Home" focuses on the work Carme Artero, a foster mother from Majorca, Spain, who has devoted her time to setting up a foundation in defense of the rights of children who have suffered from abuse. The documentary features testimonies and the experience of people who care of children living situations of vulnerability, such as sexual or physical abuse or neglect and whose parents have their parental custody taken away by the Law.

All this Roughness(es)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Those, revealed on the walls, in a touch(ml)

A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

At Eleven(es)

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.

Won't You Be My Neighbor?(en)

For more than thirty years, and through his television program, Fred Rogers (1928-2003), host, producer, writer and pianist, accompanied by his puppets and his many friends, spoke directly to young children about some of life's most important issues.

Temporary Identity(he)

What does it mean to belong to a place, a country? In a south Tel Aviv elementary school, that question is addressed head-on by a fourth-grade class and their teacher. The children are asylum seekers whose families mostly do not have a legal status in Israel, yet learn, sing and play in Hebrew all the while examining their identity and sense of belonging.

My Grandma Matilde(es)

Little María has been left in the care of her grandmother Matilde. The relationship between them is not very good. While María spends her time creating, her grandmother, who has become ill, has the urge to teach her the little trades that can help her fend for herself when she is gone. Their relationship becomes more tense, until her grandmother remembers a secret that she has kept since childhood...

Remnants of the Lost Childhood(tl)

In an abandoned house, three young adults tried to reminisce about their childhood lives and the community they were once part of. As the storytelling continues, we find remnants of tragedy and trauma from their past.