Enfants de Daech, les damnés de la guerre

UNA Historia: lucha por la educación y la cultura(es)

Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.

Sa Ngalan ng Tubo(en)

A documentary on the struggle of millworkers, farmworkers, and people of Hacienda Luisita, Philippines.

Gaza Is Our Home(en)

"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...

Süchtig nach Jihad(de)

Quien dice patria dice muerte(es)

Everybody knew(es)

In 2023, the Ombudsman presented a report on sexual abuse in the Church in Spain. Victims' accounts reached the European Parliament. Among them were the abuse suffered by two brothers at the boarding school where they attended as children.

Little Girl(fr)

7-year-old Sasha has always known that she is a girl. Sasha’s family has recently accepted her gender identity, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France.

Chauka, Please Tell Us The Time(en)

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

Alice in the Land of National Guard of Russia(ru)

A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"

Standard Operating Procedure(en)

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

It's Hard Being Loved by Jerks(fr)

The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.

Documenti su Giuseppe Pinelli(it)

The film examines the death of the anarchist Giuseppe Pinelli, who fell from the fourth floor of the police headquarters in Milan December 15, 1969, after being stopped following the Piazza Fontana bombing.

Free Tibet(en)

A film about the Tibetan Freedom Concert in San Francisco in 1996.

The Painter's Room(ku)

Artin, a young Iranian bodybuilder, and Jahan, a Kurdish man who recently discovered his love for painting, live in Kærshovedgård, a former prison now used as a deportation center.

Not Even in a Wildest Dream(pt)

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

Utøya - aldrig glömma, aldrig tiga(sv)

Ten years ago, Carina Bergfeldt covered the terrorist attack in Norway, and as one of the first reporters on-site, she gained a unique insight into the aftermath of the tragedy. For two days she lived with survivors and parents who were looking for their missing children in the hotel that was turned into a crisis centre. Now she has returned to see what happened with the families and with Norway.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Voice of Syria(es)

A witness testimonial by the Syrian people with regards to what has happened to their country. It's a story told by those who couldn't leave, those who chose to stay to fight the war and those who had to leave their motherland.

Silvered Water(fr)

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

ISIS: Rise of Terror(pt)