Those, revealed on the walls, in a touch(2025)

Enfants de Daech, les damnés de la guerre(fr)

What You'll Remember(en)

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

The Echo(es)

In the remote village of El Echo that exists outside of time, the children care for the sheep and their elders. While the frost and drought punish the land, they learn to understand death, illness and love with each act, word and silence of their parents. A story about the echo of what clings to the soul, about the certainty of shelter provided by those around us, about rebellion and vertigo in the face of life. About growing up.

Erosion(en)

A movie about a beach

That Kid(fr)

A group of educators led by Fernand Deligny are working to create contact with autistic children in a hamlet of the Cevennes.

Family in the Bubble(ko)

My parents were real estate developers and dealers in the 1980s. They achieved the ‘middle class dream’ thanks to the development boom. However, the Asian financial crisis swept everything away.

Our Home(ca)

A film in which the author seeks to express the love he feels for the central figure of the family: his grandmother. By documenting her daily life and interviewing family members about their feelings toward her, this documentary becomes a love letter.

Acts of Reparation(en)

Two friends, one Black and one white, journey to their Southern ancestral homes, exploring reparations' meaning. Their travels uncover opportunities that transform their bond, communities, reclaiming and reckoning with their roots.

A Little Regret in Helsinki(en)

A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.

Simple Countryside Living in Azerbaijan(en)

Simple Countryside Living in Azerbaijan, by Amalia Hajieva "Don't let the length of the video fool you, for it has been years of memories in the making ♥︎ going through my videos and finding all these special moments has brought the biggest smiles to my face"

The Fearless Freaks(en)

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

Landscape of our Body(vi)

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

Gut Knows What Mind Does Not Understand(gl)

By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.

Postcard (Or, from afar, you are a mirage)(es)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Arada(de)

The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.

Floripes(pt)

A story with almost 100 years told by the 95 years old woman Floripes.

Zelensky(fr)

Ten years ago, Volodymyr Zelensky was just one of the many faces on Ukrainian television screens. He became a star thanks to the 2015 satirical series Servant of the People, in which he played a history teacher who becomes president. Four years later, what began as fiction became a reality. This French documentary follows the transformation of a popular TV comedian into a statesman on the front lines of the Russian invasion. Archival footage, family photos, television appearances, and interviews with Zelensky and those closest to him create a multi-layered portrait of a man who always longed for a large audience. At the same time, the film places his personal development in the broader context of post-Soviet Ukraine, which is also searching for its own identity.

Maccaia(it)

Podoby sveta(sk)

Let the Child Be the Guide(fr)

As a young father, watching his daughter go through her life experiences, film director Alexandre Mourot discovered the Montessori approach and decided to set his camera up in a children's house (3 to 6 years of age) in the oldest Montessori school in France. Alexandre was warmly welcomed in a surprisingly calm and peaceful environment, filled with flowers, fruits and Montessori materials. He met happy children, who were free to move about, working alone or in small groups. The teacher remained very discreet. Some children were reading, others were making bread, doing division, laughing or sleeping. The children guided the film director throughout the whole school year, helping him to understand the magic of their autonomy and self-esteem - the seeds of a new society of peace and freedom, which Maria Montessori dedicated her life work to.