In 1970s Iran, Marjane 'Marji' Statrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
A Charles Bukowski poem is put to animation. Four kids who are friends are drawn to a strange house that their parents tell them to avoid. One day they see a man of about 30 step outside, cigar and whiskey bottle in hand. He becomes a symbol for them of all that is strong, natural, and beautiful. What happens later to this man with the beautiful eyes introduces the boys to the gray and uptight world of adulthood that awaits them.
Satou Ichirou once called himself 'Maryuuin Kouga' and behaved as if he were a hero in a fantasy world. His strange behavior caused his classmates to bully him and he left the school. At his new school, he tries to behave like a normal boy, but one day he meets a girl who cosplays with a blue cape. She calls herself "a researcher traveling from the outer world to search for the 'Dragon Terminal'". At first, Ichirou rejects the girl, Satou Ryouko, because her behavior reminds him of his embarrassing past, but he changes his mind after seeing her getting bullied. In order to bring Ryouko back to real life, Ichirou accepts her and his past and begins the final battle as Maryuuin Kouga.
Suffering because of his father's departure to the big city, a boy leaves his village and discovers a fantastic world dominated by bug-engines and strange beings. An unusual animation with various artistic techniques that portrays the issues of the modern world through the eyes of a child.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.
In this coming-of-age story, a once-close mother-daughter relationship takes a tumultuous turn as they navigate the challenging journey of growing up. As the daughter blossoms into her own person, clashes between the two ignite like never before, creating an explosive dynamic that forces both to confront their own vulnerabilities and ultimately find a new understanding of each other.
On a full moon night, a ten-year-old girl from a farming family in a remote village is lured by Moosina into a cave in the mountains, where she uncovers the secret about why the mountain demon always plays dirty tricks on children.
A socially awkward girl uses the local swimming pool as a wormhole into fantasy. She dives underwater where she imagines herself as a marine creature, alternately graceful and predatory. (As described by Simon Sellars, 2008) Created as part of the SBS series "Swim Between the Flags" in 2002.
A very lazy boy, whose mother can no longer stand watching him sleeping and eating all day long, decides to set to work, revealing unsuspected powers of imagination, invention, and perseverance.
Sofía, a little girl of seven, remembers the day she fractured her arm while being chased through the forest; a story full of fantasy that hides a heart rending moment in Sofía's life.
The period of late World War II, Toshiko was living in downtown Tokyo with her family. Japan was more towards losing the War at the time and people were suffering with lack of materials. On March 10th 1945, she lost her mother and two younger sisters by the bombing in Tokyo. She picked up "Glass Rabbit", which shape was changed by the fire, out of the wreck one day and she experienced the terror of the War. Moreover when she had to evacuate to the suburbs, her father was killed by US army on the way at the station. Now that she became all alone, she felt so lonely and despaired that she almost found no meaning to be alive. But despite of her loneliness and sorrow, she aroused herself, thinking about all her family who were gone. "I must survive for my family.... Otherwise, who will be visiting their grave." This is the story of one girl, which should not be forgotten.
Our narrator looks fondly back at his childhood in Liverpool and the antics of his best friend Johnno. Well known for being a showman and a keen one for joking and the like, Johnno starts to change for the worse after he announced that his father has died.
Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches.
Mirai Mizue set up a camera over a water tray with an illuminated white background (presumably an animation table) and experimented with the flow of aqueous ink over the surface of the water using stop motion animation techniques.
When a small boy loses his favourite toy – a small teddy bear – this draws him into the inner world of his childhood. Nonetheless, he must destroy this realm if he wants to grow up.