‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
The Michael Clark Dance Group perform to the music of T.Rex, Chopin, the Beatles and the Velvet Underground.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Rosalie, an aging art historian, falls in love with a troubled bisexual artist half her age. Their relationship becomes pure torture for them both.
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Memories have the power to haunt us forever, whether or not they actually happened. For Margot, the man named Dan who stalked and tormented her for three years of her life is as real as any criminal—even if he's the manifestation of her first serious schizophrenic episode. Margot proves incredible strength in her first-hand accounts of her road to healing. Through art and therapy, she found relief. Through relief, she found a chance at life.
Having lost their status and credibility five years after covering New York City with gooey roasted marshmallows in Ghostbusters (1984), the city's former heroes and once-popular spirit-hunters struggle to keep afloat, forced to work odd jobs. However, when Dana and her baby have yet another terrifying encounter with the paranormal, it is up to Peter Venkman and his fearless team of supernatural crime fighters to step up and save the day. Once more, humankind is in danger, as rivers of slimy psycho-reactive ectoplasm, paired with the dreadful manifestation of evil sixteenth-century tyrant Vigo the Carpathian, threaten to plunge the entire city into darkness. Is the world ready to believe? Can the Ghostbusters save us for the second time?
A behind-the-scenes look at the beloved public television personality's journey from humble beginnings to an American pop-culture icon. "The Happy Painter" reveals the public and private sides of Bob Ross through loving accounts from close friends and family, childhood photographs and rare archival footage. Interviewees recount his gentle, mild-mannered demeanor and unwavering dedication to wildlife, and disclose little-known facts about his hair, his fascination with fast cars and more. Film clips feature Bob Ross with mentor William Alexander and the rough-cut of the first "Joy of Painting" episode from 1982. Famous Bob Ross enthusiasts, including talk-show pioneer Phil Donahue, film stars Jane Seymour and Terrence Howard, chef Duff Goldman and country music favorites Brad Paisley and Jerrod Niemann, provide fascinating insights into the man, the artist and his legacy.
The military coup of '76 means that the birthday of a little girl named Paula does not pass normally.
“YOU THE BETTER is a film based on games of chance, and as games such as roulette, or craps go, this one is closed – meaning that the player cannot really affect the outcome. A team of uniformed players, led by the artist Ashley Bickerton, performs the mechanics of a game servicing an off-camera betting entity, the ‘House’. Although the game keeps changing and players are swapped out, one thing remains the same, the ‘House’ is hidden and controls the bets, the ‘chance’ of winning is nil. The game, in fact, is not between the players, but rather between the ‘House’, and the ‘Bettor’.” — E.B. 1983
An older Nopporn looks at a simple painting and recollects the story behind it. As a young student in Japan, he once met and fell in love with Kirati, who was unhappily married to an older man.
Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.
A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.
It's been a long time since Leila, a costume girl, hasn't seen her father. A number of photos of Mr. Leila taken when he was a child made Leila investigate things from a low point of view. The promise to meet again came and again ended up disappointed. Until one point he found evidence of the presence of the father in his daily life. From a different point of view.
This educational film illustrates various textures as students create different kinds of textured art by using ordinary objects and materials.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
Fabián, a magician from Buenos Aires, saves his money from weddings, birthdays, and bar mitzvahs, and uses a hidden camera to document a week-long trip to the Falkland Islands where he has a patriotic plan: to impregnate a British woman. If 500 Argies do this annually, the islands will soon be overrun with children belonging to both cultures.