Because We Must(1989)

Vertical White(en)

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Red(en)

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Wide(en)

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

The Science of Sleep(fr)

A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.

Spomíname na Edmunda Gwerka(sk)

I Needed Color(en)

Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.

New York Stories(en)

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Evocation(en)

Follows a famous artist with dementia’s surreal encounter with death.

Podoby sveta(sk)

Přitažlivost věže(cs)

Dreams Are Colder Than Death(en)

What does it mean to be Black in America in the 21st century? The recently formed Black American film group TNEG™ has set out to elucidate this very question. Hearing from the likes of fine artist Kara Walker and musical artist Flying Lotus, the film is based on a deceptively simple approach -- asking a refined list of black 'specialists' as well as 'uncommon folks' questions about what they think, and more importantly as lead director Arthur Jafa states, 'What they KNOW' -- the film is an unprecedented 'stream of the black consciousness' and a strikingly original and rarefied look at black intellectual and emotional life. What's so unorthodox about this simple approach is that the interviews were recorded separately from the images in the film. What results is a breathtaking, kaleidoscopic look of American black life from the dawn of three original filmmakers.

A Dreamer's Search(en)

In 1918, Rockwell Kent leaves New York City with his eight-year-old son and travels to the rugged wilderness of Alaska in search of inspiration. Kent settles on a remote island, isolated and free to do his work. He befriends an old prospector whose stories energize his pursuit. As he struggles with internal turmoil, his son’s innocence and willingness to face failure inspire Kent to dig deep inside himself and begin again. Father and son’s connection blossoms as they embrace the wilderness experience together. Surrounded by the quiet magnificence of Fox Island, Kent creates the drawings and paintings that will catapult his career to national success and turn his dream into reality.

Pecker(en)

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

Un día de Mayo(es)

UN DÍA DE MAYO (Becoming Mayo ) explores the emotional journey of Mayo, a young man burdened by unresolved trauma, who must confront his painful past to reclaim his passion for painting and embrace love. The film delves into the healing process, showing how creativity and vulnerability can break the barriers of fear and guilt.

Cashback(en)

After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.

Bag Boy Lover Boy(en)

Oddball hot dog vendor Albert is shocked to find himself becoming the bizarre muse of enigmatic NYC photographer Ivan Worthington. But shocks come his way even more so when he finds out how difficult is is to succeed in the art world, leading him to take his own photographs that suit his very unique - and very limited - skill set.

An immersion into the Divine Feminine(en)

By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.

Black Is the Color: African-American Artists and Segregation(fr)

Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.

This Island(en)

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

Les vendredis d'Apostrophes(fr)

Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.