The Michael Clark Dance Group perform to the music of T.Rex, Chopin, the Beatles and the Velvet Underground.
The Michael Clark Dance Group perform to the music of T.Rex, Chopin, the Beatles and the Velvet Underground.
1989-01-01
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Presented as part of the exhibition "RIVER OF FUNDAMENT", Museum of Contemporary Art, Los Angeles.
In Unborn we follow the internal monologue of a hybrid pigeon-persona who questions her inevitable cursed fate of parenthood. As a pigeon, she is supposed to build a nest to lay her eggs, but she fundamentally doubts her part in the cycle of life. Several absurd scenes show her struggle with popular belief, and nightmarish fantasies around the trappings of parenthood, and indirectly address reproductive rights without perpetuating the polarising perspective present in ongoing public debate. The spell-like remarks of the crow could be seen as her conscience echoing society’s expectations around reproduction. The presence of the egg as a haunted object with magical properties in this film becomes an unsettling interpretation of (in)fertility as a curse. The video incorporates various digital and hand-made techniques like stop-motion animation, set design, sound design and performance to unfold an uncanny world.
Focusing on the self-narration and visual language of the mounted police, ‘A horse is a horse of course of course’ reflects on how police horses are treated as just another of the many apparatuses police use for the maintenance of social control systems and their legitimation. While undergoing a special domestication process aimed at suppressing their instinctive flight responses to fear, horses become a means to impose disciplinary power in return. Originally a two-channel video, ‘A horse is a horse of course of course’ invites us to question the distorted mainstream cultural definition of policing. To start engaging with an abolitionist practice also requires radically decoding and refusing the oversimplifying language that police speak.
A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.
Breaking a mirror initiates five different acts in five different places; exposing shades of magic, politics, and systemic violence. The harm social systems are designed to inflict, the enforced disappearances in Turkey during the 1990s, the border politics of the EU, manipulative storytelling, and power struggles are evoked as the round Pendant attempts to become whole again with its gemstones scattered throughout the acts.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Tribute to Leopoldo Méndez, a prominent Mexican artist, considered the most important printmaker in Contemporary Mexico
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
An intimate portrait of Eric Carle, creator of more than 70 books for children including the best-selling "The Very Hungry Caterpillar". At 82, Eric is still at work in his studio making books and creating art. As he methodically layers a tissue paper collage of the caterpillar, he describes the feeling he achieves working in his studio, the sense of being at peace, all alone, when everything grows quiet and it is just himself and his work. The film taps into that deep creative need in each of us, a spirit that started in Eric as a very young child and is unceasing today.
A grieving artist seeks redemption in an unlikely place, her loved one's crime scene.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
A documentary about Gian Lorenzo Bernini, creator of the Baroque sculptural style. It shows more than 60 masterpieces exhibited in Villa Borghese, Rome. These prestigious masterpieces are explained and analyzed in detail.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.
A man entranced by his dreams and imagination is lovestruck with a French woman and feels he can show her his world.
Pierre Bismuth hires a private detective and a duo of screenwriters to investigate on an enigmatic artwork.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.