A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.
A film record of an exhibition of the late work of Paul Cezanne, organized by The Museum of Modern Art and the Reunion des Musees Nationaux in Paris. The camera moves across details of paintings, as well as details of Cezanne’s studio, providing an intimage, close-up view of the artist’s work. The narration is provided by Cezanne’s own words, taken directly from records of correspondence. 22nd Annual San Francisco International Film Festival Participation- Communication Competition, 1978.
1978-01-01
0
At what point in our evolution did we start talking? To paint, play music and travel? When did we build our first imaginary worlds? When was the need to believe born? In short, where, when and how did the contours of man's essence take shape? Going back to the origins of language, art and writing, this documentary by Emmanuel Leconte and Franck Guérin traces the fantastic cultural epic of thought. Although animals also dream, today only our species has the power to recount its dreams, transforming them into stories, narratives and destinies... But where does this astonishing human faculty come from?
Enlightened by her biographer Roxana Robinson and art historian Barbara Buhler Lynes, co-founder of the Georgia O'Keeffe Museum in Santa Fe, this documentary unfolds the fascinating trajectory of the artist who became an icon of American art. Featuring her works, her confidences - between interviews and excerpts of correspondence read by Charlotte Rampling - and her husband's photographs, this film explores the two inseparable passions that marked Georgia O'Keeffe's life and career: Alfred Stieglitz and New Mexico, which she never ceased to travel through, like a pioneer, in order to immerse herself in its Indian culture and its grandiose landscapes.
1918. As the roar of the First World War cannons is dying out, in Vienna, the heart of Central Europe, a golden age comes to an end. The Austro-Hungarian Empire is beginning to disintegrate. On the night of October 31st, in the bed of his home, Egon Schiele dies, one of the 20 million deaths caused by the Spanish flu. He dies looking at the invisible evil in the face, in the only he can do: painting it. He is 28 years old. Only a few months earlier, the main hall of the Secession building had welcomed his works: 19 oil paintings and 29 drawings. His first successful exhibition, a celebration of a new painting idea that portrays the restlessness and desires of mankind.A few months earlier, his teacher and friend Gustav Klimt had died. From the turn of the century, he had fundamentally changed the feeling of art and founded a new group: the Secession.
Artists Bo Bartlett and Betsy Eby travel the country finding art in their surroundings before being unexpectedly forced to consider what it would mean to lose the ability to see.
Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.
With loans from across the world, this major retrospective will bring together Vermeer’s most famous masterpieces including Girl with a Pearl Earring, The Geographer, The Milkmaid, The Little Street, Lady Writing a Letter with her Maid, and Woman Holding a Balance. This film invites audiences to a private view of the exhibition, accompanied by the director of the Rijksmuseum and the curator of the show.
Las Muralistas features women muralists whose works cover the walls of San Francisco’s Mission District. The muralism movement that emerged in the 1970s in the Mission District marked the beginning of a tradition of activism, expression, and community building through public art.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair. Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
Pierre Bismuth hires a private detective and a duo of screenwriters to investigate on an enigmatic artwork.
"What we were trying to do was the ultimate form of architecture, which was predicting how society would use space, land and time." Curtis Schreier, ANT FARM Space, Land and Time: Underground Adventures with Ant Farm is the first film to consider the work of the renegade 1970s art/architecture collective Ant Farm, best known for its iconic land-art piece Cadillac Ranch. Radical architects, video pioneers, and mordantly funny cultural commentators, the Ant Farmers created a body of deeply subversive multidisciplinary work that questioned the boundaries of architecture and everything else in the process. Incorporating breathtaking archival video, new footage shot over ten years and animation based on zany period sketches, this film is about the joy of creation in a time when there were no limits. —Beth Federici
The inspiring story about the professional rock smasher Clive Tapps. A devoted man who plans to fulfill his dream, to smash the biggest rock he has ever faced.
A documentary that explores the history & stories behind the art that helped create the world's most popular role playing game. The movie profiles artists - both past & present - & features former company insiders, game designers, authors, & fans.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou
A film about the artist Marlene Dumas: - There's no right way to portray or to understand someone. It's just an acknowledgment , not a denial of reality. Here are my paintings.