Dan and Margot(2016)

E-Team(en)

E-Team is driven by the high-stakes investigative work of four intrepid human rights workers, offering a rare look at their lives at home and their dramatic work in the field.

Fed Up(en)

Fed Up blows the lid off everything we thought we knew about food and weight loss, revealing a 30-year campaign by the food industry, aided by the U.S. government, to mislead and confuse the American public, resulting in one of the largest health epidemics in history.

Rich Hill(en)

If you ever find yourself traveling down Interstate 49 through Missouri, try not to blink—you may miss Rich Hill, population 1,396. Rich Hill is easy to overlook, but its inhabitants are as woven into the fabric of America as those living in any small town in the country. This movie intimately chronicles the turbulent lives of three boys living in said Midwestern town and the fragile family bonds that sustain them.

Watchers of the Sky(en)

Five interwoven stories of remarkable courage from Nuremberg to Rwanda, from Darfur to Syria, and from apathy to action.

sin título(es)

"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González

Two Marxists in Hollywood(en)

Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.

Glass House(en)

An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

A Model Family in a Model Home(en)

The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.

KONELĪNE: our land beautiful(en)

Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.

Mais qu'est ce qu'elles veulent(en)

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

Cavaliers Seuls(fr)

Untold: Deal with the Devil(en)

Christy Martin broke boundaries and noses as she rose in the boxing world, but her public persona belied personal demons, abuse and a threat on her life.

Untold: Caitlyn Jenner(en)

Caitlyn Jenner's unlikely path to Olympic glory was inspirational. But her more challenging road to embracing her true self proved even more meaningful.

11 Freundinnen(de)

A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.

Peanut Gallery(en)

Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.

When Elephants Were Young(en)

A young man and his young elephant street beg in gritty Bangkok amid the controversial elephant business that threatens their survival, until the opportunity comes to release the elephant to the wild.

A Magical Substance Flows Into Me(ar)

Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?

Neither Allah, Nor Master!(fr)

Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.

beweistheorie I(en)

A video puzzle using mathematical principles and prime numbers, daring the audience to decode it's journey.

Always Forward(es)

Plastic artist Aparicio Arthola talks with his student about the catarsis in his creative process, the loss, death and uncertainty of art life in Nicaragua