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Bronx, New York, November 2019(en)
Cal State Long Beach, CA, January 2020(en)
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
Daybreak Express(en)
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
8 Years(en)
After eight years of practicing Tae Kwon Do, Lauren Smith achieves her goal of becoming a 3rd Degree Black Belt, Assistant Instructor, and Demonstration Team Member.
The Cabinet of Jan Švankmajer: Prague's Alchemist of Film(en)
The original 54-minute documentary, as broadcast by Channel Four on 20 June 1984, after which the animated links by the Quay Brothers were recompiled as a separate short.
THEATER. Afterword(ru)
The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.
The Halt(ru)
Trains travel through the night without stopping. The clatter of the carriages quickly disappears, along with the wail of the locomotive. The people at the station are all asleep. But why are they so exhausted ? And what are they waiting for? Set inside an isolated train depot, The Train Station is one of Sergei Loznitsa's most haunting films. It is also one of his most pointed social critiques. In this film, we are brought to a remote train station deep in the Russian woods. It's nighttime. In the distance, we hear the clatter of locomotives. The station, a small wooden building, sits silently, surrounded only by snow and train tracks.
Digital Edition(en)
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
My Marlboro City(it)
Brindisi, Italy: a focal point in cigarette smuggling. The director returns to her hometown to see what's left of the past and what lies in store for the future.
The Most Holy Brotherhood(es)
The High Holy Brothers is a documentary on a mysterious Messianic cult formed by peasants who fled the violence of the forties/fifties in Colombia and are admitted to live in the mountains of southern Tolima. Its members dress in sacks, they have their own dialect and regard everything as “Blessed”, minus the right side of the body, which castrated covering it with the “holy coat”. This group rejects all elements of the consumer society, established institutions, the state, church and political parties.
Sea Countrymen(it)
Sicily, Granitola, 1955. At the first light of dawn, the fishermen set out in their boats for open water, timing the rhythm of their oars to murmured chants. They set their nets in the sea, regulate the cords, organize the boats in a square. The men’s work becomes increasingly harder as the tuna are hoisted onto the boats, wriggling, beating their tails until death arrives and the water is tinged with blood.
RUMMAGING FOR PASTS(en)
Rummaging for Pasts is an experimental juxtaposition of two cinematic documents: the video diary of an international archaeological excavation and a collection of assorted eight millimeter found footage of Indian weddings.
First Aid(en)
This Pete Smith Specialty is a semihumorous look at basic first aid techniques for mishaps that often occur around the house. It was produced in cooperation with the Beverly Hills First Aid Unit of the American Red Cross Disaster Service. —David Glagovsky
Japanese Summers of a Filipino Fundoshi(tl)
Kidlat Tahimik, a director and performer, sought to recreate relations between the body and filmed image seen through "Asian eyes." This groundbreaking project took the form of a documentary which Mr. Tahimik directed and in which he performed himself in order to show his own thinking about the different views of the body held by the "East" and the "West."
Screen(de)
“While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow.“ (Kōbō Abe) Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.