Workers Leaving the Lumière Factory(1895)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Sprinkler Sprinkled(fr)

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

Baby's Meal(fr)

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

Piggy(es)

Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.

Man Walking Around a Corner(xx)

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Snowball Fight(fr)

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

Playing Cards(fr)

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

The Docks of New York(en)

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

A Nightmare(fr)

A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.

Sack Race(fr)

Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.

The Photographical Congress Arrives in Lyon(fr)

Down the gangway, photographers leave the deck of a riverboat in large numbers.

The X-Ray Fiend(en)

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

La lupa(it)

She was tall, dark and thin, with a proud and voluptuous bust. They called her "The she-wolf" because she seemed never to be satisfied. All the men were obsessed with her but one day the she-wolf fell madly in love with young Nanni.

Horse Trick Riders(en)

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Transformation by Hats(fr)

Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

Malice in Wonderland(en)

A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"

Line 9(es)

In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.

Gentleman's Agreement(en)

A magazine writer poses as a Jew to expose anti-Semitism.

Zygote(en)

The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.

Zeitgeist: Addendum(en)

Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."

Salò: Fade to Black(en)

A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.

Le Théâtre National Populaire(fr)

The T.N.P., the Théâtre National Populaire, an important experimental theater directed by Jean Vilar. Franju combines sequences from theatrical performances with documentary images, creating links and confrontations between theater and the real world.

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

The Story of an Old Lady(fr)

A short piece in which Agnes Varda revisits actress Marthe Jarnias, who plays the old aunt in her 1985 film "Vagabond".

More So-called Caryatids(fr)

A super short film to accompany the earlier documentary of the same name. A photoplay of various caryatids to be found in Paris.

Betye Saar: Taking Care of Business(en)

At age 93, there's no stopping the legendary artist Betye Saar.

All That Perishes at the Edge of Land(ur)

A ship berthed at Gadani and the ship-breakers coming from all over Pakistan to break it discover that they might have more in common than otherwise imagined, when they enter into a conversation.

Spain '68(es)

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

Situation Leading to a Story(en)

Short film made out of found footage.

T(en)

A film crew follows three grieving participants of Miami’s annual T Ball, where folks assemble to model R.I.P. t-shirts and innovative costumes designed in honor of their dead.

Mysteries of the Unseen World(en)

Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception

eadem cutis: the same skin(de)

"I just want to be seen as who I am today!" John shares his thoughts on identity, body and gender and gives a very personal insight into his life–and an intimate proximity to his body.

IndiCar - Die Mobilität der Zukunft(de)

Using the example of a couple in love, this industry film demonstrates the industry's visions for car sharing, electromobility, smartphone use and in-car navigation.

Speeding, of Course(fi)

70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.

Stop Smoking Forever - Video Hypnosis(en)

Stop smoking with this animated film and Dick Sutphen's hypnotic suggestions. The soothing music will help you to relax.

A Fire(fa)

The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.

Im Techno-Rausch - 60 Stunden Dauerparty(de)

Documentary about the rave and techno scene of the 90s.

The Last of the Mohicans(en)

In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.

Ako vznikala Ústava SR(sk)

Another World(fr)

Documentary on the work of French caricaturist Jean Ignace Isidore Gérard, better known by his pseudonym Grandville (1803-1847). Based on a text by Dotremont, the film takes us on an imaginary journey to the planet of the "Real People", whose habits and customs we learn about. A satire on the arts and society.