

Workers Leaving the Lumière Factory(1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Movie: Workers Leaving the Lumière Factory
Recommendations Movies

The Sprinkler Sprinkled(fr)
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

The Arrival of a Train at La Ciotat(fr)
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Baby's Meal(fr)
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

Playing Cards(fr)
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

The Freshman(en)
Harold Lamb is so excited about going to college that he has been working to earn spending money, practicing college yells, and learning a special way of introducing himself that he saw in a movie. When he arrives at Tate University, he soon becomes the target of practical jokes and ridicule. With the help of his one real friend Peggy, he resolves to make every possible effort to become popular.

The Photographical Congress Arrives in Lyon(fr)
Down the gangway, photographers leave the deck of a riverboat in large numbers.

Otto – The Alien from East Frisia(de)
Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. So it takes Otto a while to convince him while time is running low for his plans to save East-Frisia.

A Nightmare(fr)
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.

The X-Ray Fiend(en)
A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

Horse Trick Riders(en)
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Leaving Jerusalem by Railway(fr)
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.

Transformation by Hats(fr)
Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

The Docks of New York(en)
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

Course en sacs(fr)
Several competitors take part in a friendly sack race, with widely varying degrees of success.

Performing Animals; or, Skipping Dogs(en)
A short black-and-white silent documentary film featuring one dog jumping through hoops and another dancing in a costume, which was considered lost until footage from an 1896 Fairground Programme was identified as being from this film.

Man Walking Around a Corner(xx)
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Roundhay Garden Scene(en)
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Gentleman's Agreement(en)
A magazine writer poses as a Jew to expose anti-Semitism.

Zygote(en)
The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.

The Lion Woman(no)
Eva Arctander is born with hypertrichosis, meaning that she is covered from head to toe with fine blonde hair. Her father is so ashamed of her that he hides her away from the world in their apartment. However, Eva’s nanny fights for her right to be treated like everyone else.
Similar Movies

I Am One of the People(en)
Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”
Clouds Weep on the Greenness(fa)
A young girl is trying to relate to her grandmother's death which quickly becomes more than a personal loss.

Monsieur Truffaut Meets Mr. Hitchcock(en)
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

Leonie, Skeet and the piglets(nl)
Leonie’s dream is to become a pig farmer, just like her parents. She wanders happily around the farm, helping out in any way possible. She tends to the pigs, and is present from the fertilisation of the sows to the moment the truck leaves for the slaughterhouse. The family farm teaches her about the circle of life. However, new laws on nitrogen emissions have undermined the economic viability of the farm, and bankruptcy looms. Together with her cat Skeet, Leonie watches the last pigs disappear from the farm, and she realises that her dream of becoming a pig farmer might not come true.
Font Men(en)
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.

Vivement Truffaut(fr)
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

White Earth(en)
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.

Reimagining A Buffalo Landmark(en)
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Larisa(ru)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Urban(en)
Urban is a short documentary on the importance of dance in shaping the identity of five young adolescent girls. In the Susp3ctz dance crew, they learn the basics of hip hop, house, krump, in order to learn to freestyle and reveal their own identity.

Julieta(es)
The life and times of the mexican pianist Julieta García Rello, as told by her granddaughter.

Conversations of a Marriage(es)
A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.

Cat in the Eastern Palace(zh)
Su Jin meets Li'er. As their bond grows, the weight of Su Jin being the crowned prince and Li'er as a cat spirit grows heavy.

Birdman(en)
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

The Life of Surgeon Sauerbruch(de)
Young Olga Ahrendt almost succeeded in attempting suicide. She had thrown herself in front of a tram out of desperation about her miserable life, a desperation she shared with many in the post-war period. Fortunately, Privy Councillor Sauerbruch is at the scene of the incident, ordering her to be admitted to his clinic after a brief examination. Sauerbruch works both as a university lecturer and as a surgeon, a famous doctor who not only helps his patients physically but also gives them spiritual comfort. After he has taken Olga Ahrendt to his hospital, he discovers during an examination that her suicide attempt is due to a serious physical illness. He intensively takes care of her without forgetting about his other patients, to whom he can give a new will to live, even if only through a small story. And he will also treat Olga Ahrendt successfully...

Midnight Ramble(en)
A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".

Factory Girl(en)
In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Hedda Hopper's Hollywood No. 2(en)
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.

Our Territory(fr)
When I got to Rignano, the Ghetto residents told me: "You mustn't keep any trace of our lives here in these precarious houses. This despair is not yours to display." The misery in the Ghetto is the first thing that struck me, the first thing I wanted to show.

The Garden That Doesn't Exist(fr)
Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.