Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.
A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.
She was tall, dark and thin, with a proud and voluptuous bust. They called her "The she-wolf" because she seemed never to be satisfied. All the men were obsessed with her but one day the she-wolf fell madly in love with young Nanni.
A singer marries his biggest fan, but his uncle plans to kill him in order to gain his money.
Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.
The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.
In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.
Down the gangway, photographers leave the deck of a riverboat in large numbers.
In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.
Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.
A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"
Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.
A magazine writer poses as a Jew to expose anti-Semitism.
The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.
McWalter, a legendary American elite agent, is falsely accused of a series of attacks all around the globe. Determined to clear his name, he goes on the run to solve the mystery, thwart a earthwise conspiracy, and save the world…
EXTREME is a visually stunning 45-minute journey into the soul of adventure featuring a cast of world champion athletes. Combining incredible extreme sport action with narration from the athletes and an eclectic, contemporary soundtrack, EXTREME explores the paradox of human nature: facing fear from the edge of life.
This film takes viewers through the rich, white majesty of the Inuit Great North. Along with doing justice to the breathtaking and awesome landscape of the freezing, snow-covered environment, Great North also looks into the long-standing traditions, such as fishing and hunting, of the Inuit tribes.
A journey to seven of the most geographically dynamic locations on earth. The film features spectacular land forms, diverse wildlife and the people and cultures indigenous to these places. Distinct geographic places include the great island of Madagascar, home to unique limestone pinnacles and the playful lemur; and the greatest desert—the Namib—home of the largest sand dunes in the world that tower majestically over its western border, the Atlantic Ocean. Other locations featured are the great icecap of Greenland, Iguazu Falls in Brazil, the Okavango Delta in Botswana, the Chang Tang Plateau in Tibet, and the Amazon River in South America.
Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
For more than 10 years, world champion freedivers Pipin Ferreras and Umberto Pelizzari have been vying for world records. Their love of the sea without compromise is what unites these two rivals. However, it is their different personalities and opposing diving philosophies that separate them. Pipin is the "No Limits" man who wants to go deeper and deeper. Umberto, the purist, seeks harmony in the ocean's depth. Ocean Men takes you into the world of these two awe-inspiring freedivers through the use of breathtaking underwater photography, enchanting music, and insightful animation.
A breathtaking adventure across five continents and through time to reveal nature's most vital secret. Watch a flying fox gorge itself on a midnight snack of figs. Climb into the prickly jaws of insect-eating plants. Witness a mantis disguised as a flower petal lure its prey to doom.
We follow the Newman-Haas (Andretti) racing team through the process of building, testing, and racing for a season. This includes extensive race speed on-track footage, including some pre-race footage with a full squad of cars. From time to time, we check in with a small shop building/restoring one of the first roadsters Mario Andretti raced; the finale includes him taking it for a spin.
1950 short film portrait of the octogenarian folk artist. Nominated for an Oscar in the category "Best Short Subject, One-reel".
A young man returns to his hometown in the countryside of Minas Gerais and revisits the memories of his grandparents through conversations and restored personal files.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.
A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
This short documentary focuses on the children of alcoholics. In the relaxed environment of a mountain campsite, a group of young people discuss their anger and frustration, and talk about their struggle to cope with the problems created by their parents' drinking. By sharing their experiences, they open a door for others like them. Aimed primarily at an audience of elementary school children and older, this film provides an excellent vehicle for generating discussion about alcohol abuse and the family.
In the midst of the Hundred Years War, the young King Henry V of England embarks on the conquest of France in 1415.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
The film takes place one year after the events of Captain America: The First Avenger, in which Agent Carter, a member of the Strategic Scientific Reserve, is in search of the mysterious Zodiac.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead.