Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
A woman’s face disappearing behind, and emerging from, a pair of hands. Flashing lights. An empty building full of dark hallways. Designs drawn in the air with light and long-exposure cinematography.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.
A ditsy reporter enlists the help of a sleazy private eye to solve a series of gory killings of female strippers at a Chicago nightclub.
A love story has come to its end. When a man steps into the room where his beloved one lives, she tells him to go and that she doesn't want to see him anymore. He realizes that this is going to be their last meeting - the epilogue. Afterwards he remembers the tragic ending of their relationship in a different way from what really happened.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.
Two melancholic Hong Kong policemen fall in love: one with a mysterious underworld figure, the other with a beautiful and ethereal server at a late-night restaurant.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.
A quiet and inconspicuous man rents an apartment in France where he finds himself drawn into a rabbit hole of dangerous paranoia.
In 1953, an innocent man named Christopher Emmanuel "Manny" Balestrero is arrested after being mistaken for an armed robber.
Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
A wordless portrait of sculptor Jessica Jackson Hutchins shows us the artist in the process of transforming clay into uncanny forms.
"A well-known character, in a dance that created considerable excitement when first introduced in America."
A gay man reminisces about his deceased lover, a victim of AIDS.
Brindisi, Italy: a focal point in cigarette smuggling. The director returns to her hometown to see what's left of the past and what lies in store for the future.
An intimate portrait of a strong independent feminist who has witnessed the gradual emancipation of women. Now a pillar of support in her community, 85-year-old Terese is savouring every moment of living, and being a liberated woman.
Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.
An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.
Entering in the darkness of his memories, with the aid of some old photographs, one man travels to his past, building along his way a story which spans multiple generations to recover the image of his father, whose early passing marked him as a child.
Five kidnapped people are forced to rhyme with the funky rhythms of their captor, if they do not meet the high expectations they will die.
In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
This Pete Smith Specialty is a semihumorous look at basic first aid techniques for mishaps that often occur around the house. It was produced in cooperation with the Beverly Hills First Aid Unit of the American Red Cross Disaster Service. —David Glagovsky
Animation work that approached relation of score without time that undertakes expression and the blueprint with time axis of music axis. The time axis was given to the score and "Made of the score an image" was tried. It keeps likening the music sheet to the bird that stopped in the electric wire, and the image doing the panning.
The director meets Amir and Ramzi in a café in a small Tunisian town. They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.
Short film in the Hermitage Museum looking at da Vinci's Madonna Litta.