Colo-Colo por la Verdad, Justicia y Memoria

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Hombres de Blanco(es)

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Colo-Colo Un Objeto de Deseo(es)

Documentary that explores the history of the Colo-Colo Social and Sports Club, and not only highlights the socio-political significance of Colo-Colo at a national level but also debunks the myth surrounding the relationship between Pinochet and Colo-Colo. It dispels the belief that the former dictator provided funds for the construction of the Estadio Monumental.

A Morir por el Colo(es)

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Sangre Altiva y Noble Corazón(es)

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

Ejemplo de Valor(es)

Unpublished images of Colo-colo in the 2008-2009 seasons, intensely experiencing the institutional crisis that the club suffered after Claudio Borghi's brilliant campaign.

Ídolos y Caciques(es)

Stories of some idols of the Colo Colo Social and Sports Club

Sabor a Victoria(es)

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

Raza Brava(es)

Tu Historia es Mi Historia: Colo Colo Campeón 1991(es)

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

The Black List: Volume One(en)

As a new chapter begins in this country, THE BLACK LIST offers a dynamic and never-before-heard perspective from achievers of color. This series of inspired - and inspiring - observations on African-American life in the 21st century forms a roll call of some of the most compelling politicians, writers, thinkers and performers ever to tackle their fields of endeavor. Watch the interview-portraits and get a sharper snapshot of where this country has been and where it's headed.

First Case, Second Case(fa)

A documentary about a teacher who sends a group of pupils out of the classroom when one of them does not own up to talking behind the master's back.

Kleiner Mann ganz groß(de)

Documentary feature about German actor Heinz Rühmann made shortly before his death in 1994.

Rheingold – Gesichter eines Flusses(de)

The Rhine is the center of the European soul, the continent's largest and most important river. Over thousands of years, it has formed unique cultural landscapes on its way from the high Alps to the North Sea, in which peoples and nature have shaped each other. On its way from the Gotthard massif to the sea, it connects six countries: Switzerland, Austria, Liechtenstein, Germany, France and the Netherlands. For centuries, the Rhine separated the Germans from France, but for almost 70 years it has connected these two countries. But Luxembourg, Belgium and Italy are also within its sphere of influence. Film follows the course of the river exclusively from a bird's eye view and presents a fascinating panorama from the center of Europe that develops its full power on the big screen. From above, our homeland is no longer the same: the glittering floodplains of the Rhine are reminiscent of the Caribbean, the meadows in the alluvial plains look like the Serengeti.

Göttliche Lage(de)

Cinétracts(fr)

A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.

Memória do Cangaço(pt)

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Celebration at Big Sur(en)

Star-studded show recorded at the Big Sur Folk Festival, Big Sur, California, September 13th and 14th, 1969. Joan Baez, Crosby, Stills, Nash & Young, Joni Mitchell, John Sebastian, and others. This film captures a remarkable moment in folk, rock, and pop history - the famous folk festival that brought traditional acts like Dorothy Morrison & The Combs Sisters and Carol Ann Cisneros together with the psychedelic rockers of the day who were most deeply rooted in the folk revival. Older songs like ‘Oh Happy Day,’ ‘Rise And Shine,’ ‘All God’s Children,’ and ‘Swing Down, Sweet Chariot’ meet Joni Mitchell’s ‘Woodstock,’ Joan Baez’s ‘Sweet Sir Galahad,’ ‘Bob Dylan’s ‘I Shall Be Released,’ CSNY’s ‘Down By The River,’ and many more of the now-classic songs of what was then called the ‘new rock.’ The scene is notably intimate and - aside from one fan’s dustup with Stephen Stills - mellow, with many rare, close-up moments with the stars.

Outlines(fi)

How does one leave positive marks on their body? In the short documentary, three young adults open up about their relationships with their bodies through tattoos. They think tattoos showcase something otherwise invisible about themselves to the world.

Islam(sh)

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.