Colo-Colo Un Objeto de Deseo(2006)

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Sabor a Victoria(es)

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

Colo-Colo por la Verdad, Justicia y Memoria(es)

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

Raza Brava(es)

Ejemplo de Valor(es)

Unpublished images of Colo-colo in the 2008-2009 seasons, intensely experiencing the institutional crisis that the club suffered after Claudio Borghi's brilliant campaign.

Hombres de Blanco(es)

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

A Morir por el Colo(es)

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Tu Historia es Mi Historia: Colo Colo Campeón 1991(es)

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

Ídolos y Caciques(es)

Stories of some idols of the Colo Colo Social and Sports Club

Sangre Altiva y Noble Corazón(es)

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

Same God(en)

In 2015, a black, female professor at a prominent Christian college wore a hijab and said that Christians and Muslims worship the Same God. The firestorm that followed exposed the rifts among evangelicals over race, Islam, religious freedom...and Donald Trump.

Talk Normal(en)

At the '87 Tokyo International Video Biennale, held at Spiral Hall, performance artist Laurie Anderson gave the unforgettable lecture-demonstration, "Talk Normal". In "Talk Normal", Anderson discusses the many elements that distinguish her work, from the unique violins that serve as her alter egos, to her video clone, to her experiments with electronics and her personal homage to Oscar Schlemmer's Bauhaus dances. Through excerpts from the film Home of the Brave, the television program What You Mean We?, and the music videos for her songs O Superman and Sharkey's Day, Anderson draws you into an eclectic world where sight and sound are united. In "Talk Normal", New York's best known performance artist talks about herself.

Bunny(en)

A magnificent rhapsodic ode to the filmmaker’s mother, the legendary transgendered tap-dancing cult diva Sandie “The Goddess Bunny” Crisp, that will send your heart straight into orbit.

Le Making of Frig(fr)

A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.

SSS(en)

Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.

Ovil & Usman(en)

This documentary records the in-depth testimony of a gay Muslim couple, Ovil and Usman, whose only wish was to share a life together. Since in their home countries it is illegal for gay men to live their lives as they would like to, they had no choice but to escape to the West, following the underground caravan of refugees and immigrants that leads from Asia to Greece . They ended up trapped in the infamous hotspot/refugee camp in Moria - where their "dream paradise" would show its ugliest face. The film was shot on the island of Lesvos, Greece, under very difficult circumstances. It illustrates the squalid living conditions and the human mosaic at the Moria camp through strong imagery of never before seen footage from the life inside and outside the camp, shot through different means, even mobile phones, as there was a government prohibition for journalists and film crews to enter the camp.

Things to Come(en)

Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.

Night Wandering(en)

Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.

Come and See(th)

The controversial Thai Buddhist temple "Dhammakaya" is in crisis as its abbot was charged with money-laundering and receiving stolen property. The film reflects the clash between politics and faith in modern Thai society.

Rue Mascara(fr)