Sangre Altiva y Noble Corazón(2016)

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Raza Brava(es)

Ídolos y Caciques(es)

Stories of some idols of the Colo Colo Social and Sports Club

Colo-Colo por la Verdad, Justicia y Memoria(es)

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

Ejemplo de Valor(es)

Unpublished images of Colo-colo in the 2008-2009 seasons, intensely experiencing the institutional crisis that the club suffered after Claudio Borghi's brilliant campaign.

Sabor a Victoria(es)

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

A Morir por el Colo(es)

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Colo Colo Un Objeto de Deseo(es)

Documentary that explores the history of the Colo-Colo Social and Sports Club, telling stories of the most popular club in Chile.

Tu Historia es Mi Historia: Colo Colo Campeón 1991(es)

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

Hombres de Blanco(es)

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Weimar on the Pacific(en)

In this documentary, film scholars Gerd Germünden and Noah Isenberg discuss the artistic origins of Marlene Dietrich in the cabarets of Weimar Germany and her relationship to her native country during and after World War II.

Caroline Champetier and Arnaud Desplechin: A Conversation about 'Shoah'(en)

An interview about 'Shoah' featuring Caroline Champetier, who did assistant camera work on the film, and Arnaud Desplechin.

M-ARGINI(it)

TAÏ: 33 days in the last primary West African forest(fr)

After having discovered the TAÏ forest 6 months earlier , The exporer Nico Mathieux promised himself that he would be comming back to try and be the first ever to traverse the very last primal forest of west africa from north to south

Wir Weltmeister – ein Fußballmärchen(de)

Country: Portraits of an American Sound(en)

'Country: Portraits of an American Sound' is a documentary film that explores the history and culture of country music through the lens of photography, which has portrayed the ideals, lifestyle and personalities of country music artists for over 80 years. The film features imagery and commentary from Grand Ole Opry photographer Les Leverett, the late celebrity photographer Leigh Wiener, documentary photographer Henry Horenstein, iconic music photographers Henry Diltz and Raeanne Rubenstein, and contemporary photographers David McClister and Michael Wilson. Over a dozen country music artists also appear, including Rosanne Cash, Roy Clark, Merle Haggard, Lyle Lovett, Charley Pride, LeAnn Rimes, Kenny Rogers, Tanya Tucker, The Band Perry and Keith Urban. The film weaves iconic images, historical footage and over 25 country music hits into a dynamic look at this uniquely American sound.

Exit: Music(en)

Five composers have their careers cut short by the rise of the Third Reich.

Two Hitlers(es)

One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.

Becoming Who I Was(ko)

Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.

Throwing Off the Yolks of Bondage(sr)

Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.