Ejemplo de Valor

Raza Brava(es)

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Ídolos y Caciques(es)

Stories of some idols of the Colo Colo Social and Sports Club

Colo-Colo por la Verdad, Justicia y Memoria(es)

Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.

A Morir por el Colo(es)

Colo Colo went bankrupt in 2002 and its players will once again remember everything that was that season that will remain in history.

Sangre Altiva y Noble Corazón(es)

Documentary about the recovery process of the Colo Colo social and sports club, a process in which young people grouped in branches, artists and members of the club decide to organize themselves in order to rescue the memory of the futbol team.

Hombres de Blanco(es)

The story of Colo Colo 1991, champion of the Copa Libertadores de América, in the voice of its protagonists.

Colo Colo Un Objeto de Deseo(es)

Documentary that explores the history of the Colo-Colo Social and Sports Club, telling stories of the most popular club in Chile.

Tu Historia es Mi Historia: Colo Colo Campeón 1991(es)

Campaign of Colo Colo champion of the 1991 Copa Libertadores narrated by its players and fans

Sabor a Victoria(es)

Just when Chile was experiencing the last months of the Popular Unity of President Salvador Allende, Colo Colo - the most popular team in Chilean soccer - faced the 1973 Copa Libertadores de América. This benchmark led by footballers Carlos Caszely, Francisco "Chamaco" Valdés and coach Luis "Zorro" Álamos, not only managed to play the final of this competition against Independiente of Argentina, but also, its brilliant game, dynamics and drive popular turned it into the necessary balm for the fans, at a time when the Chilean political and social situation became extremely acute. Thirty-four years later, the protagonists of Colo Colo 73 relive this Copa Libertadores campaign.

The Weight of Water(en)

Erik is totally blind and is solo kayaking the length of the Grand Canyon. In Lava Falls, a large dangerous rapid, he discovers that despite what people might say, barriers can be real and they hurt .. a lot.

Fire Mountain: The Eruption and Rebirth of Mount St. Helens(en)

In 1980, the eruption of Mount St. Helens leveled 230 square miles, sent 540 million tons of ash and volcanic rock twelve miles into the air, and blasted one cubic mile of earth from the crest of the Cascade Mountain Range. Illustrates the terrifying fury of the most destructive volcanic disaster in American history through aerial photography and survivors' own words. Shows examples of nature's plant and animal recovery seventeen years later.

Mocha(es)

A collective work created by students of Bachillerato Popular Mocha Celis in Buenos Aires, the first of its kind in the world, the place offers transvestite and transgender adults the opportunity to complete their high-school studies. The films focuses on identity, inclusion, political activism and equal access to the right to education.

Notes on the New York Film Festival(en)

An interview with Peter Bogdanovich and Henry Jaglom who were presenting films at the ninth New York Film Festival (1971). The documentary was first presented on the television program Camera Three.

A Discussion with Filmmaker Peter Bogdanovich(en)

A Q&A with the director with an emphasis on THE LAST PICTURE SHOW

Tireless(es)

Facundo Arteaga is a malambo dancer, who has already passed the barrier of thirties. His life is divided between work in the countryside and the care of his children. In spite of physical strain and lack of time, Facundo will try to compete again to try to get the title of national champion of malambo. According to tradition, whoever wins the championship can never compete again.

Boneyard Alaska(en)

Alaskan gold miner John Reeves, a private landowner with no scientific training, stumbles upon a rare collection of bones of Ice Age creatures that roamed the region tens of thousands of years ago including bison, woolly mammoths, and prehistoric bears. Stored in a permafrost deep-freeze for years, these remains are in pristine condition and represent an unprecedented window into the life of the Pleistocene Epoch. John finds a passion for bones and for collecting, assembling over a hundred thousand specimens from his mine site, “The Boneyard," and invites a team of expert paleontologists to study the collection. As the scientists wade into the mud, and peruse the boxes of the collection, discoveries are made that could potentially re-write the history of North America.

WWE: The Best of WWE Confidential, Vol. 1(en)

Confidential was a unique program for the company, in that it was not a standard "live event" or "recap" show. Rather, it offered an exclusive, "behind the scenes" look into WWE and its talent, both in-ring and otherwise.[1] The show also periodically broke kayfabe and used professional wrestling slang. Confidential was discontinued in 2004 and was replaced with The WWE Experience, a more traditional weekly summary show.

The War on Whores(en)

Is it anyone's business if consenting adults want to pay or accept money for sex? Sex worker and author Maggie McNeill tells her startling tale about the persecution of sex workers based on the false assumption that most of them are exploited victims of pimps and traffickers. Her movement is challenging these assumptions and the powerful political and cultural forces behind them.

Coming Home(en)

COMING HOME is a documentary film focused on five people returning back to their Vermont communities from prison. The film focuses on the innovative COSA program (Circle of Support and Accountability) that helps reintegrate folks back into their daily lives. The COSA program is run through Vermont’s Community Justice Centers and is part of the restorative justice model.