Leftovers(2017)

Man with a Movie Camera: The Global Remake(en)

Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.

The Sound of Seeing(en)

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Ergui as Mãos aos Céus e Não Havia Mais Luz(pt)

To Teach a Bird to Fly(fi)

This experimental nature documentary by Minna Rainio and Mark Roberts depicts climate change and the wave of extinction from the point of view of our near future. Actually, it depicts the age we live in now, or rather its fateful consequences.

James Bearden: Man of Metals(en)

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

The Boy Who Can't Forget(en)

Can you remember what you were doing on 15th March 2003? Or what the weather was like on 30th May 2007? Twenty-year-old British student Aurelien can. He is one of a handful of people in the world baffling scientists with their ability to recall an incredible amount of their lives. This remarkable documentary explores the recently discovered phenomenon known as superior autobiographical memory.

The Great Ice-Cream Robbery(en)

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.

Chance, History, Art...(en)

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

How I See Sunsets(en)

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

On Nation (and other dogmas)(es)

From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".

Adios amigo mío, sin gestos, sin palabras(en)

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Embassy of the Free Mind(en)

UNESCO Memory of the World: Explore the Bibliotheca Philosophica Hermetica’s new home with 25,000+ rare books on alchemy, hermetica & mysticism at the Embassy of the Free Mind museum, set in Amsterdam’s historic canal mansion, the House with the Heads.

M'hamed Issiakhem(ar)

"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.

History and Memory: For Akiko and Takashige(en)

This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.

Please Hold(en)

An experimental documentary engaging with decades of DIY activist media, two death bed/legacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?

Série 7 (Éclatements de bulles de savon)(fr)

Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."

#monalisa(en)

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

Roda Viva Roda Brasil(pt)

Thot-Fal'N(en)

This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."

L'heure exquise(fr)

In the streets of Marseille, René Allio encounters, once again, the spaces of his childhood, and remembers his family history.