In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.
El Místico
Luxembourg in the 60s. Youngsters from France come over to a small south Luxembourg village Dudelange to party there. And looking for girls. And then starts the fighting. Teenager love and rock 'n roll.
Returning from a business trip, a man meets some peasants who arouse fears in him.
A teenager goes to the foothills of the Andes to deal with his phobias.
Once again, the hotel run by brothers Ludwig and Otto König is not fully booked. This changes when Genevieve Büglmeier, a rich sausage and meat manufacturer, turns up at the hotel and wants to book the four-poster room and the entire floor for herself. But the four-poster room has been booked for Otto and Ludwig's sister, Nane. What Nane doesn't realize is that Genevieve has arrived accompanied by Herbert Faltemeier, from whom Nane has just been divorced...
A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.
A motley group of business students in Berlin, Germany sign up for Takahashi Corp.'s assessment weekend, hoping to land one of the coveted spots with the consulting company. Under the watchful eye of a company psychologist, the team-working and improvisational skills of the aspirants will be put to the test in a survival-type situation. But nothing goes according to plan - the group arrives to find the base camp completely destroyed. Trapped in the woods with no food, no shelter and no way to communicate with the outside world, the real characters of the students come to light, as one by one, they start to lose their heads...
Not long after he married, Yoo Shin has to enter the army leaving behind his wife Jil Rye and daughter Yong Bun. He is taken a prisoner of war in a battlefield. Without knowing this, Jil Rye and Yong-bun firmly hope Yoo Shin's safe return from the war while they overcome temptation, poverty, epidemics and even drought. But an influential man of their village rapes Jil Ryel and Yong Bun. Yoo decides to take revenge.
When a film company scouting locations for their next feature discover the footprint of a large creature, it sets them on a path of death and destruction. They decide to turn a camping weekend into a film documentary on the beast which has terrified the area for years. Camped out in the heart of the creature's home, the weekend turns into a fight for survival. Will any make it out alive?
The New York City summer is fueled by the sultry emanations of hot air that tumble off the tongues of potential thespians as they attempt to decipher the gastric guesswork embedded in the prose of the pre-production process. The video camera flits across the boroughs of NYC in a splash-dash sojourn of sumptuous banquets and bohemian bombast, while the down-to-earth wisdom of the seeing impaired helps to guide the protagonist into detours of wisdom befitting his putrid project. A theatrical play incubates in the balding head of the videomaker and as its presence makes itself felt among the various victims of his vision, we share with them the horror of advancing age and the descriptive diatribes toward the destiny of the decrepit damned.
A typical family is terrorized in a series of commercials for a new A.I. product.
A story of reuniting twin sisters, who were seperated when young. Maiko, who lives in Hachijo Island, organizes a local festival. Just before the festival starts, she leaves the island to look for her sister Seiko in Tokyo.
This project was initiated in the winter of 2020 and lasted about two years. I was compelled to investigate the relationship between my body and animal bodies, especially those who are physically larger than myself, and who are not pets but rather those who live amongst their kind. Therefore my interactions with them were not based on a pre condition of habits such as petting or mutual care seeking. If there was touch or closeness, they were of a non scripted and unexpected nature. In the process of making this film I used a GoPro camera for its small size and because it doesn’t need to be held while shooting, so that the camera could be placed in various positions in relation to the animals bodies. This way I could capture the subjects from up close without causing them distress.
1. Countdown to insanity 2. Final Embrace 3. In Metal We Trust 4. Angel in Black 5. Rulebreaker 6. Sign of Fear 7. Seven Seals 8. Angels of Mercy 9. The End is Near 10. Rollercoaster 11. The Sky is Burning 12. Nuclear Fire 13. When Death comes knocking 14. Metal is forever 15. Fighting the Darkness
Chunauti is an action-packed romantic comedy that tells a story of love, struggle, and justice. Ajaya and his wife Prabha move to Kathmandu, where Ajaya starts working as a teacher. Later, his sister Gita joins them and enrolls in the same college. There, she meets a kind and charming student, but trouble arises when Madhav, a troublesome student, also starts liking her. One day, a fight breaks out in the college, and when Gita tries to stop it, an inspector arrives and brings the situation under control. Angered by this, Madhav and his group cause harm to Prabha and Gita. They also try to escape punishment through legal means. With no strong evidence, Ajaya takes a stand and challenges the court. In the end, he decides to take justice into his own hands, leading to a tragic ending where the inspector, fulfilling his duty, stops Ajaya. Chunauti is a story of love, courage, and sacrifice in the face of injustice.
Made at S.U.N.Y. at Binghamton as a class exercise, filmmaker Saul Levine performs with students who each try to mimic his previously recorded phrase and then try to imitate each other imitating the recording.
At the beginning of the 1980s, a group of Germans ventured into a social experiment: in the remote hills of Umbria, they founded a self-sufficient community beyond consumerism and bland gainful employment. After 40 years, the rural commune still exists. Not all the plans have come to fruition over the years. How are the dropouts doing today?
Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.
Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.
Poetic film about the struggle of man's will and muscles against nature, about the rock-climbers who prevent landslides and eliminate their consequences.
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
This short documentary films some of the wild animal species that have adapted to the city of Vancouver, from the familiar pigeons and starlings to the less familiar herons nesting in Stanley Park and a coyote in a farmer's field.
"All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.
A collage of Derek Jarman's super 8 footage spanning over 20 years.
An important early film by Stan Brakhage, which Joseph Cornell commissioned as a record of New York's Third Avenue elevated train before it was torn down. Curiously lacking in people, the film focuses on the rhythms of the ride and reflections in train windows, finding a real-world version of the superimpositions Brakhage would later create in the lab. Preserved by the Academy Film Archive in 2005.
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
Stations of the Elevated exposes viewers to an underground art scene- that is, one found exclusively on the sides of subways and train cars. A moving portrait of late-70's NYC, the film boasts a soundtrack by jazz legends Charles Mingus & Aretha Franklin.
As the healthcare system in Venezuela comes crashing down and millions of people flee the country, a doctor, a pharmacist, an activist and two cancer patients struggle to survive amidst the chaos. They face the daily dilemma of choosing to stay or flee. Activist Francisco Valencia puts his life on the line to distribute medicines illegally, but how long can he keep it up?
Essentially a dizzying montage of quirky shots of legendary Beat Generation writer William S. Burroughs and noted surrealist artist Brion Gysin, this nearly 20 minute avant-garde short features repeated articulations of such random things as "Hello," "Where are we now?," and "Look at that picture" instead of music or standard dialogue. The narrative is decidedly nonlinear and perplexing, with no discernible plot whatsoever as we see images of Gysin working on his paintings and calligraphic designs and Burroughs rummaging through draws, packing a suitcase, giving a young man a physical, making a call in a phone booth, and waiting on a platform for a subway train.
An experimental film of the group Throbbing Gristle in concert.
Taking a cue from Franz Kafka's "Letter to My Father," this highly personal film follows Czech director Jan Nemec as he attempts to engage in a dialogue with his deceased mother. While alive, Nemec's mother had a troubled relationship with her son; this rumination seems to be Nemec's public platform for coming to terms with unresolved familial issues. The director embellishes his film by linking personal events with 20th century history.
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.