Sebastian and Jonas Leaving the Party

Noticias(es)

An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.

C-Film(en)

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Vacanze nel deserto(es)

Solidão no Fundo da Agulha(pt)

Remains(fr)

Something takes us underground, where gods and monsters are active, amid the ruins of a world they move around with their innumerable hands. Inspired by Fritz Lang and Richard Wagner, Remains is a daydream.

Embodiment of Darkness(en)

A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless

Spiky(en)

An Eternalism film.

Begone Dull Care(en)

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.

A Colour Box(en)

Animated shapes dance to Cuban music. This was one of the first animations to be painted directly onto the film.

Stochastics(en)

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.

Vampir Cuadecuc(en)

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

Calm(en)

Short animation by Ryu Kato.

Wasure-Boshi(ja)

SPring-8 Angstrom Compact Free Electron Laser (SACLA) 5 minute pencil and watercolor anime short narrated by Mamiko Noto with music by twoth.

Le Défilé(fr)

"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.

Window(en)

The moving camera shapes the screen image with great purposefulness, using the frame of a window as fulcrum upon which to wheel about the exterior scene. The zoom lens rips, pulling depth planes apart and slapping them together, contracting and expanding in concurrence with camera movements to impart a terrific apparent-motion to the complex of the object-forms pictured on the horizontal-vertical screen, its axis steadied by the audience's sense of gravity. The camera's movements in being transferred to objects tend also to be greatly magnified (instead of the camera the adjacent building turns). About four years of studying the window-complex preceded the afternoon of actual shooting (a true instance of cinematic action-painting). The film exists as it came out of the camera barring one mechanically necessary mid-reel splice

Fragmentum Cinema: Sueños(es)

Waiting Room Window(en)

An Eternalism film.

Lazy City(en)

An Eternalism film.

Thalé(en)

Barry Doupé’s Thalé (2009) experiments with the phenomenology of light and colour through fiber-optic flower arrangements. Doupé’s animations are inspired by the Thale Cress plant, which is commonly used in biological mutation experiments. His rotating electronic floras, which resemble neon lights, sex toys and fireworks, glow in the dark digital void. - Amy Kazymerchyk, Fabulous Festival of Fringe Film

Very Nice, Very Nice(en)

Arthur Lipsett's first film is an avant-garde blend of photography and sound. It looks behind the business-as-usual face we put on life and shows anxieties we want to forget. It is made of dozens of pictures that seem familiar, with fragments of speech heard in passing and, between times, a voice saying, "Very nice, very nice." The film was nominated for an Oscar for Best Live Action Short Film.