Thirteen Ways of Looking at a Blackbird

Moby Dick(he)

Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.

Replika(pl)

Still Life #02(xx)

Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the intangible: the digital image. It manages to embody the pixel and carve it with a chisel; to explore its physical nature through direct intervention.

Cellular Immune Response(en)

On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he bought a stack of audiotape secret telephone recordings of marital infidelity from 1969. At the Women’s March, he recognized the cosmic resonance of the phone with all that was happening.

Burial Pyramid(en)

Mendieta, Ana: Burial Pyramide, Yagul, Mexico.

Monument(en)

In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.

Landscape (for Manon)(en)

A languid, beautifully shot collection of landscapes, edited into a whimsical and touching film.

Bouddi(en)

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

Bodybuilding(de)

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and it leaves the good-girl role far behind, sometimes in striking poses, sometimes in martial dress.

Amir Hetsroni: Case Study(he)

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

Private Chronicles: Monologue(ru)

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

Shashin no Ma(ja)

The scratched and faded – and at times almost abstracted – home movies that pass through the projector in Tetsuya Maruyama's "Shashin no Ma" simultaneously welcome and resist nostalgia, in what is both a meditation on the physical nature of the analogue film strip and the ghosts that reside within it as well as a poignant tribute by an artist-filmmaker son to his amateur-filmmaker father.

Delimitation(cs)

A dancer moving through a city seeking a space in which to exist.

Thaumaturgic Eye(cs)

Scientists demonstrate the wonders of magnified objects.

RING(xx)

Ring is an experimental 16mm short film. It is composed by 20 shots of 30 seconds each, of landscapes and situations following the 35,7 km of the Berlin S-Bahn Ring. An hypnotic flow of fixed shots will transform the experience of observation of the journey only through the internal rhythm, textures and composition of the shots, and where the main subject matter will be time and the present as a symbol of itself.

I, Apostate(en)

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Window(en)

"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a variety of different statements about the concept of window." - S.B.

Slaughterhouse(en)

Documentary about a slaughterhouse in Quito, where hundreds of people and entire families work everyday. The smell of the place is warm and penetrating, the noise is intense, everything is red. Would that much effort and death have an ulterior purpose?

Nuuk(en)

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day to night and the influence of the weather gives motion to the segments. He condenses a total of 3,000 individual web images taken from the Internet into one scene. Despite the cinematic motion of the image, it seems like a still photo.

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.