A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.
2015-07-07
9
Alberto is 40 years old and lives with his mother in an apartment complex where he works as a concierge. One day, a circus group settles near Alberto’s residence, disturbing his everyday life and awakening his forgotten desire for independence and freedom.
Three teens face their inner wildness on a dreamlike journey when they decide to peek under the hair of God.
In the heart of Saigon, there's a place where promises are still written in blood.
Wander is working as an engine operator on a cargo-ship. When he takes a coffee-break, a woman appears in a talkshow on TV. In an instant, Wander recognizes her to be his long lost girl-friend Zelda from childhood days some 20 years ago. In these days, Wander used to live in a boarding-school. From his room window, he can see the house on the opposite river bank where Zelda lives. She's a really adorable young beauty, but she's less affected than one should think, and so Wander gets his chance. They are having a good time until one day when Wander finds Zelda's father in the school kitchen making love to the kitchen maid. Things turn out bad for most of the characters involved, but there's an open end.
A company wants to make a play about Mont Valerien resistant fighters who were shot by the Nazis and the French collaborators.
Steampunk fantasia of interplanetary travel and submarine life.
Tennessee, 1838. Polly Crockett, the daughter of the legendary hero Davy Crockett of Alamo, and makes a living from hunting in the forests. These forests are still inhabited by the Indians. Most of them live in peace but some of them are negatively affected by white traders. One day Polly, who is accompanied by her faithful Indian friend Neshoba, goes to the town to sell her hides. Polly meets Catawampus Jones. Jones and his father fought in the Alamo too. Indians influenced by Prewitt, an employee of a hide company, and Redbud, are killing settlers and burning down their homes. Polly's house is destroyed too and her maid Birdie, Neshoba's mother, is killed.
An aging gossip columnist, tired of the social life of the Roman Dolce-vita set, goes to New York with hopes of a literary career. He marries a nurse, but succumbs to his former mistress.
The police try to recover the blueprint of a newly designed submarine after it is stolen by enemy spies.
Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.
Delfina decides to spend with her two best friends, in her family’s manor house, her last day before getting married. In a sometimes violent, sensual or caring atmosphere, they share their doubts, their memories, their secrets, but also their bitterness. This intriguing title (literally Mares and Parrots) hides a subtle social unease within the young Buenos Aires bourgeoisie.
White Space was created as a variation on the theme of Creation. The work uses the Creation story of Adam as a guide ("formed man from the dust of the ground"). A human head appears as animated 'dust' as it emerges from and descends into a chalky white pool. While the non-narrative short film can viewed as the original "man" being created, there are also references to science-fiction and the head takes on a ghostly ethereal quality...like an alien being from another planet. Influences of David Lynch as well as the repetitious music of minimalist composers Philip Glass and Steve Reich can also be seen. In addition to directing the video, Jym Davis also appears in the work.
Back from traveling the world, comedian Tom Rhodes takes to the stage of Colorado's Boulder Theater for this blistering hour-long performance.
A couple try to help the residents of a small Caribbean island overthrow a dictator.
When a beautiful young influencer survives a mysterious shark attack, she becomes a monstrous apex predator, hunting and feeding in sunny Venice Beach, California.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Iggy Pop reads and recites Michel Houellebecq’s manifesto. The documentary features real people from Houellebecq’s life with the text based on their life stories.
Twenty-five films from twenty-five European countries by twenty-five European directors.
A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.
Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.
A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
Pole, who are you? This film collage that combines archival and contemporary materials, documentary and staged pictures, press reports, social announcements, sale offers and speech excerpts is an attempt to answer this question. Referring to the Polish tradition of a creative documentary in the style of Wojciech Wiszniewski, the film presents various manifestations of Polishness: patriotic and religious rituals, everyday traditions as well as characteristic landscapes or intimate memories from childhood.
Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.
The fascinating story of the rise to power of dictator Benito Mussolini (1883-1945) in Italy in 1922 and how fascism marked the fate of the entire world in the dark years to come.
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
Commissioned by French television, this is a short documentary on the neo-classical statues found throughout Paris, predominantly on the walls of buildings, holding up windows, roofs etc.
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.