Italy, March 1980. César travels to the ruins of Pompeii with the extravagant intention of recording psychophonies, supernatural echoes of the great eruption of Mount Vesuvius that destroyed the city in the 1st century, but he does not succeed. However, on one of the tapes a strange phrase, much more recent, is recorded, words that César has already heard somewhere…
Twenty-five films from twenty-five European countries by twenty-five European directors.
Celestial Night is a film on visibility and questions what it means to see. It is a film about what is invisible apart from the imagination: Celestial Night is a film dealing with this vital power, the ability to envision. It is a search in present day Japan for the mythical Japanese Emperor Amayonomikoto who was blind, and the story of a time when seeing was not believing.
A series of visual paradoxes between the names of the streets of Madrid and those of the shops located in them.
An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.
Based on the jaw-dropping contact accounts of individuals from around the world, AMONG US explores the suspicious phenomenon of non-human presence on Earth, from angels to ETs, and unveils the many ways they may be interacting, communicating and transferring subliminal information into our consciousness and potentially our DNA. The film ultimately shows that the interconnectedness of all species may be beneficial and most likely inevitable for the evolution of an intelligent universe. This film has been released in some territories under the title: "ET Contact: They are here".
In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.
Swimming, Dancing examines audiovisual representations of the Yangtze (1934–present), from silent film to video art to the contemporary vlog. Inspired by the city symphonies of the 1920s, Swimming, Dancing pieces together a “river symphony”, evoking the images, sounds and contradictions that make up the river’s turbulent history.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
A look into the career and impact of "classical liberal" talk show host Dave Rubin
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.
How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.
An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.
The Drone is the Message. It's not the laptop nor phone that best typifies our relationship to the internet. It's the drone.
The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).