The amazing story of 1,000,000,000 people and their MAD MAD MAD rush to learn English! China 's love affair with the English language has reached feverish proportions. With half a million or more visitors descending on Beijing for the Games, can the Chinese pull it off with their newly-acquired English? Mad About English! follows the inspiring and heart-warming efforts of a city preparing to host the world by learning a once-forbidden tongue.
Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.
During the brutal invasion of China in 1937 by Imperial Japanese forces, tens of thousands of civilians and prisoners of war are murdered and women raped in what is known simply as "The Rape of Nanking." This docudrama is a stirring account of a small band of courageous American missionaries who choose to stay in Nanking to try and protect a quarter million vulnerable Chinese civilians who are trapped in a city ruled by a savage, out of control army. Their stories are brought vividly to life through actual real-time letters and diaries as they bear witness to one of the worst wartime atrocities in history.
The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.
The story of the New York accent, as told by New Yorkers.
Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.
In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it's my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.
A documentary that examines the issue of forced live organ harvesting from Chinese prisoners of conscience, and the response - or lack of it - around the world. It's happened before: governments killing their own citizens for their political or spiritual beliefs. But it’s never happened like this. It’s happened so often that the world doesn’t always pay attention.
In the 1990s HIV/AIDS came to Wenlou through a blood purchasing program. To supplement their income many poor villagers sold their blood and 60% of those who sold blood contracted HIV/AIDS from unsanitary equipment. Many have died from the disease. In his documentary film, To Live is Better than to Die, Wiejun Chen tells of the impact AIDS has had in parts of rural China by showing how it has affected the Ma family. It is spring when the film takes up the family’s story.
WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.
The Chinese global machine has been invited to revitalise the ailing Swedish town of Kalmar. The town's mayor has invited a Chinese company to build a trade centre and 300 homes, but all does not go to plan. An amusing and deeply relevant film, which shows the fault lines that emerge when the tigers of the developing world try to expand into Europe.
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?
Faced with climate change, many countries have embarked on the energy transition. Since the COP21 in 2015, which set demanding targets for reducing greenhouse gases, green energies have been on the rise. The electric car has thus become the mascot of this revolution. But manufacturers remain discreet about the carbon footprint of their cars marked "zero emission". Because not only do they consume electricity that is not always clean, but they also consume rare metals such as cobalt or lithium, the extraction of which causes havoc on the other side of the world. In China, for example, champion of rare metals, in Heilongjiang province, a carpet of toxic dust covers agricultural regions.
Based on three different places, the film portrays the infractions to which people living in modern day China are subjected due to rapid developments: in the deceptively idyllic Yangshuo in the rainy south; in the apocalyptic coal mining site of Wuhai in the parched north; and in Chongqing, the urban behemoth on the Yangtze River. The protagonists give their accounts of the unsurmounted past, the precarious present and their tentative steps into the future. The film thus paints a complex image of the mental state of the people in this complicated country.
An incident from the early days of Québec's quiet revolution, tailor-made for the cartoonist. It is the story of a Montréal commuter train, a unilingual ticket collector and a bilingual passenger. The passenger appears on screen himself to describe his bid to have tickets requested in French as well as in English. What ensued, and how even the railway president became involved, is illustrated with wit and humor.
As a doctor, Zhiyuan Wang spent 30 years studying how to save lives. He never imagined that he would spend another 10 years investigating how Chinese doctors take innocent lives. 95% of his evidence comes directly from China. His sources are Chinese doctors, judges, legislators, military officials, government officials, the media, and hospital websites. His research reveals an inconceivable truth – China’s hospitals, judiciary, and military worked together under the authority of the previous Chinese president Jiang Zemin to mercilessly slaughter a large number of Falun Gong practitioners through the harvesting of their organs. Today in a time of peace, it is difficult for people to believe that such a large-scale massacre has been silently taking place in China. But the truth shows that this frenzied killing machine, driven by huge profits, is still running rampant in society.
To really understand China, you have to get to know its people! Winston "SerpentZA" Sterzel travels across China’s first tier cities – Beijing, Shanghai, Guangzhou and Shenzhen – meeting the cities’ most fascinating people, including a racy nude photographer, a mosquito breeding scientist and a DIY maker challenging gender and tech stereotypes.
A look at the man behind the legend, capturing the real Andy Warhol, as an artist and as a person, as he travels through China, from Hong Kong's glitter to the mystique of Peking's Forbidden City. Set in the Far East, the story begins with the opening of the most elegant jet set watering hole in Asia, Hong Kong's “I Club,” whose owner, a young Chinese millionaire, decided to try an experiment: to transplant the most advanced, far-out Western culture to the Far East in a multimillion-dollar club that offers everything from restaurants and bars, to a health club and even an art gallery. Warhol is invited to attend the opening as a guest of honor showing his “Celebrity Portraits.” The result of this cultural experiment was varied. Emotions from the “I Club” and Warhol's work ranged from outrage to indifference to wonder.