Paradise Now: The Living Theater in Amerika(1969)

Après la Passion selon Sade(fr)

The Connection(en)

A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.

Love and Anger(it)

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

Rite of Guerrilla Theater(en)

Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.

Paradise Now(en)

At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.

Emergency: The Living Theatre(en)

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

The Brig(en)

An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.

The Connection(en)

A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.

Cour d'honneur de Jérôme Bel - Avignon 2013(fr)

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

This American Wife(en)

The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?

Your Turn(en)

An old family secret comes to light over a board game between grandmother and granddaughter in this exploration of intergenerational feminism.

Cosmetics(en)

A man silently confronts the expectations put upon him when he experiments with makeup for the first time.

Sleep(en)

Rashad manipulates his kid brother into leaving for school early on the one morning that changes the rest of their lives.

Rhyme & Riza(en)

A rite-of-passage story through the eyes of Riza Gupta, a shy, nervous, young Indian woman, whose controlling mother has high hopes for her to be a doctor. However when her hero CXCX ChuChu hosts a rap-off, she plucks up the courage and runs to the battle in her sari.

Serve the People(ko)

Mu-kwang volunteers to be a kitchen police of Sa-taek, the divisional commander, dreaming of success. One day, Mu-kwang meets Su-ryeon by chance, who is a young and beautiful wife of the commander. Soon, he feels a strong attraction by her.

Río Sucio(es)

Vítor is a hermit who desperately searches for a cow that has disappeared from his small farm. He suspects a neighbor with whom he has had problems. When Ricardo, his 12-year-old grandson arrives at the place, the ghosts of Vítor's childhood begin to appear, which confuses the past with the present. Vitor finally must face this terrible ghost when he was a child.

Maa Beti(hi)

Unaware of her brother Raghunandan's evil plans, Laxmi ill-treats her stepchildren, causing them to run away. What follows after is a young girl’s transition to a woman battling for survival, her brother’s education, and to reconcile with her long lost family.

The Girl Raised as a Future Daughter-in-law(ko)

Choi Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.

One-sided Love of Princess(ko)

Sook-kyung, the youngest tomboy princess, loves playing hide and seek with her same-aged court ladies and is extremely curious about the life outside the palace. An opportunity comes for her on queen mother’s birthday celebration. Princess Sook-kyung gets to explore the outside world with the help of her older sister princesses and falls in love with a Seonggyungwan scholar she meets coincidentally. The variety of character twists in this film which is reminiscent of romantic comedies such as Roman Holiday and Shakespeare’s Twelfth Night. The queen mother with a fancy royal costume but wears glasses because of her poor vision, and the court ladies who protect the princess day and night are usually slow and doze off but have the strength to push against male henchmen. The princes outside the palace walls seem like that of a naïve country girl who eats a rice cake at the marketplace because she thinks it’s free.

The Mine(ru)

Sanya, a ten years old boy is living in a small town in Northern Russia. His father is a professional boxer who left to US so Sanya is desperately learning English hoping that his father will come back one day.