1968-01-01
0
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
A professional recording of the official play. The play has a play-within-a-play format, with characters Jim Dunn as the "producer" and Jaybird as the "writer" attempting to stage a production about the underbelly of society using "real" addicts. Some of the addicts are jazz musicians. They all (except for the "producer", "writer", and two "photographers") have one thing in common: they are waiting for their drug dealer, their "connection". The dialogue of the characters is interspersed with jazz music.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
One morning, Kazue is nearly knocked over by a motorbike in front of an instrument store, breaking all the records that she was carrying. The two connect instantly and begin seeing each other every day. However, Iwai, Yukio’s foster parent, is concerned - Yukio had been exposed to the atomic bomb when he was four years old and had been showing symptoms of atomic radiation, hospitalizing him in the Genbaku Atomic Bomb Survivor’s Hospital. Unfortunately, nobody knows when the symptoms may return. When Yukio passes out from anemia during work, he decides to part with Kazue. A couple of days later, Yukio tells her of his destiny at the Hiroshima Peace Memorial Park, but Kazue passionately encourages him.
One day, Reiko, who is engaged, meets a young man named Kondo, and she likes him, although she has a fiancé. On top of this, Reiko, suffering between two men, learns from her father that she is the child of her deceased mother and uncle. In this ambitious work, Sayuri Yoshinaga takes on the role of a girl who loves two men at the same time. The latest work from the golden duo of director Katsumi Nishikawa and actress Sayuri Yoshinaga, who created many masterpieces such as “The Izu Dancer”.
College life starts off great for Michiko. She and her friend join the Italian Culture Research Club that performs canzone, a genre they are both in love with. The only problem is that the club doesn't have enough money to buy instruments for them to play. One day, the two come across a talent show called the "Mari Sono Look-Alike Contest" that promises the winner a cash prize. And Michiko looks a lot like the star.
Sleevachan, a farmer who is uncomfortable around women, gets married to Rincy. On the advice of his friends, he gets drunk one night and rapes her, causing her to leave him.
A futuristic thriller that tells the story of Bronson, Missle, and Jam - three citizens turned renegade and their fight for freedom and survival from racial persecution and the globalist agenda.
The story of a young couple who want to marry together, but they are relatives and there is some risk according to premarital genetic tests. Additionally, their families do not approve this relationship.