Emergency: The Living Theatre(1968)
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
Movie: Emergency: The Living Theatre
Top 4 Billed Cast
Self
Self
Self
Self
HomePage
Overview
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
Release Date
1968-09-09
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
EnglishKeywords
Similar Movies
Women(xx)
The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.
Las Preguntas que Perdimos(es)
The Hunched Donkey(es)
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Afloat(en)
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
From 9 to 5(en)
Passing vignettes of the lives of workers and citizens, what home means to them, and inter-city transportation...
Lullaby for the Lost(en)
A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.
Kino Kopf(en)
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
Something Walks in the Woods(en)
A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.
It's Not A Picture, It's A Video.(en)
A fragmented look into the memories of two strangers from the same hometown, brought together through a university project.
Phantasia(xx)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Dogville(en)
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Sovereign Waves(en)
Experimental short film with some old video8 about the passage of time and how we perceive Memories
Love and Anger(it)
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
TRAP by SEO IN GUK(ko)
Art is often an expression of rigorous focus. This story revolves around the internal pressures of the protagonist, and his attempt to escape his own mind and let out his imagination. An artist lives in a world they create, but sometimes fear can break us down.
4.48 Psychosis(pt)
An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.