1968-01-01
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A harrowing, gorgeous, in-your-face-and-mind 45-minute black-and-white film by Marty Topp, produced by Ira Cohen for Universal Mutant. “Marty Topp’s beautiful film of ‘Paradise Now’ reveals how the theories of revolutionary change and the experience of sexual liberation are not separate paths to the beautiful nonviolent anarchist revolution. Practiced together they are a single thrust, encompassing both political action and sensual joy, leading to the dreamed-of terrestrial paradise.
a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)
An ultra-realistic depiction of life in a Marine Corps brig (or jail) at a camp in Japan in 1957. Marine prisoners are awakened and put through work details for the course of a single day, submitting in the course of it to extremely harsh and shocking physical and mental degradation and abuse.
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
The body of a Real Housewife is an apparatus, an assembly of parts—hair, lips, dress, falsies, mic pack, cell phone, wine stem, camera, restaurant, brand, identity. This body is maintained and degraded, intoxicated and cleansed, in seasons and cycles, systems of supply and denial. The self needs a medium. Who cares who you are when you’re alone anymore?
Jérôme Bel's show features the memories of spectators at the Avignon Festival.
Commissioned work by Julian Beck and members of The Living Theatre (featuring Beck and Judith Malina, co-founders of The Living Theatre, in performance) for broadcast on KQED-TV, San Francisco. The Dilexi Series represents a pioneering effort to present works created by artists specifically for broadcast.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
The silent Spanish version of the story of Don Juan Tenorio.
The movie tells the story of a woman who struggles and fights to escape the gas chamber being condemned with capital punishment because of her participation in a hold up in which a person was killed.
The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.
A stripper and her bodyguard become involved in a murder.
Joyce Harper is an ex-Army nurse who enters police work with the L.A. Police Department, when her friend Ruby gets involved with a petty crook, Max Taylor refuses to listen to Joyce's warnings, and eventually marries the hoodlum. Joyce gets through the detailed trained required to become an L.A. policewoman, and she and her newly-assigned detective partner, Harvey Gates cleanup up a skid-row Bar-girl scheme.And she and Gates are told to get the goods on a narcotics gang ran by Richard Cott , and Ruby and Max Taylor reappear.
A mysterious, erotic and haunting love story between a writer/professor at Puerto Rico's leading University and an aspiring artist from the immigrant Chinese community.
Walfrido Larduet, a lonely electrical inspector, dreams of the Red Woman, whose image persists and becomes an obsession. Something tells him she is near. Over the course of a day, Walfrido will follow her trail as he travels through the suburbs of an infested city.
Mikayo has become the number one girl at Red Dragon, the most powerful cabaret club in Roppongi. However, after three years, Chizuru, the legendary Mistress King, returns to the club. Not wanting to be outdone by the legend, Mikayo begins to squeeze her customers to the limit. One day, one of Mikayo's customers stabs her because she has not been able to turn her back on him even though he has been paying her a lot of money. Mikayo survives, but is forced to stay in the hospital. Chizuru, on the other hand, lived up to her legendary name and extended her appointment. In fact, Chizuru had been hiding Saejima, the president of the now defunct Saejima Finance, in her own house out of sight of the underworld. Everything seems to be going well until Saejima leaks information that Chizuru is staying with him...
An authoritarian rancher about to die and his children live in a dingy mansion and fight each other over inheritance in a game of degradation.