Experimental, cinematic symphony of Granada, José Val del Omar's birthplace.
Narrador (voz)
Cantante (voz)
Cantante (voz)
Experimental, cinematic symphony of Granada, José Val del Omar's birthplace.
1955-01-01
6.577
This film was reconstructed and completed in 1995 by Javier Codesal for the Filmoteca de Andalucia, from the montage and the sound that Val del Omar had outlined before his death, after having returned to a project abandoned twenty years before with the incorporation of significant additions (above all in the soundtrack). Val del Omar's notes show that, as he typically did, he had other alternative titles in mind, such as "Acariño de la Terra Meiga" (Caress of the Magic Land), "Acariño a nosa terra" (Caress of Our Land), or "Barro de ánimas" (Clay of Souls), and that in the final phase of the unfinished project he wanted to add a second sound channel – following the diaphonic principle, and using electro-acoustic techniques – consisting of ambient material that he intended to record at the first screenings of the film in the very places and to the very people that were its origin: its "clay".
Commissioned by the Moscow Soviet as a documentary and information film for the citizens of Moscow prior to municipal elections, film is a tableau of Soviet life and achievements in the period of reconstruction following the Civil War of 1917-1921.
The target of hitgirl Mikura is a wealthy baseball team owner, but he turns out to be a powerful underworld boss. Mikura and her team are beset by countless heavily armed bodyguards and the boss' vicious daughter.
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A fading southern belle moves in with her sister in New Orleans where her ferocious brother-in-law takes stabs at her sanity.
Alison is left home alone on Halloween night, but while chatting with her best friend Jenna over Skype, something terrifying happens to Jenna, leaving Alison helpless on the other side of the computer screen, watching in horror.
On a warm summer day, a boy heard the sound of bells ringing, as if in celebration, in the mountain near his home. Several years later in that same mountain, the mushishi Ginko stumbles upon a young girl in a mountain with branches and leaves growing out of her body. He later realises that she is the lord of that mountain but finds it strange that a human like her was chosen as the lord. He meets her older brother who has continued to search for her ever since she disappeared while accompanying him on a stormy day. The story is about Ginko’s peculiar journey amidst the occult to unravel the mystery behind the enigmatic girl called Kaya and the mountain that has become her home.
Aurora Teagarden and her boyfriend Martin are thrilled when they get an unexpected visit from his niece and her new baby. Their excitement is short lived when his niece disappears and the baby is left behind. Once again, Aurora finds herself drawn into a deadly investigation as she risks it all to help Martin reunite with his family.
From an inauspicious beginning performing comedy routines in the back of a burger joint in New York, unorthodox stand-up star Zach Galifianakis has made a splash on the scene with his inimitable brand of humor. In this live show filmed at San Francisco's Purple Onion nightclub, the versatile funnyman serves up a healthy dose of his signature wit.
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Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
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Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
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Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
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16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
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Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.
A silent succession of black-and-white photographs of the city of Montreal.
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A completely new story based on existing footage from the series Columbo.
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