Ablaze

Vukica Djilas – Home Movies(sr)

It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.

Baroque Femina (Nr.7-11)(hu)

Documentary footage, Hollywood cinema and video games collide, overlap and submerge into each other in a Dadaist collage inspired by the poetry of Hungarian poet Mário Z. Nemes. The hypermedia nature of the present is emphasised by fragments that are free of a clear narrative backbone.

HOLIDAY IN THE SEA OF SUPREMACY(de)

Shashin no Ma(ja)

The scratched and faded – and at times almost abstracted – home movies that pass through the projector in Tetsuya Maruyama's "Shashin no Ma" simultaneously welcome and resist nostalgia, in what is both a meditation on the physical nature of the analogue film strip and the ghosts that reside within it as well as a poignant tribute by an artist-filmmaker son to his amateur-filmmaker father.

Delimitation(cs)

A dancer moving through a city seeking a space in which to exist.

Letter from a Filmmaker to His Daughter(fr)

Lettre d’un cinéaste à sa fille is a playful, free and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share.

The Falconer(en)

Chris Petit & Iain Sinclair's liminal, laminal tribute to underground filmmaker Peter Whitehead, featuring image manipulation by Dave Mckean & reminiscences from various countercultural characters. A fitting epitaph for an English margin walker.

Hands(nl)

Handen (Hands) is an experimental documentary film by Dutch photographer and filmmaker Ed van der Elsken. the film is a moving and poetic observation of how hands play an integral part in human life, from birth to death.

Misery Loves Company(en)

Cindy was asleep under a maple tree/ Rolled over and said to me/ I dreamt of Air Cries/ I turned over, we were lying on the the/ dry cracked mud of a river bed/ Empty Water/ Puppies, Air Cries Only/ They don’t make a sound/ My eyes on fire with nothing/ to quell them/ A piece of steel in the heart/.

Syd Barrett's First Trip(en)

On an overcast day late in the summer of 1966, Syd first tripped on mushrooms while film student/friend Nigel Gordon captured the event on 8mm film. This marked a major turning in Syd's life; The man that entered the Gog Magog hills that day would not be the same entity that returned.

Museu Nacional(pt)

Another Man’s Treasure(en)

One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.

Consumers(en)

Sammy is a 14 year old girl who makes YouTube videos. Robby just moved to New York City after college. Jerry is a single 34 year old network administrator living in the suburbs. Through their fragmented experiences, Consumers explores the dialectical problematics of the contemporary experience.

Histoire(s) du Cinéma 1a: All the (Hi)stories(fr)

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

National Museum of African American History and Culture Grand Opening Ceremony(en)

The grand opening dedication ceremony of the Smithsonian's National Museum of African American History and Culture.

Rodia-Estudiantina(en)

Avant-garde short by Lawrence Jordan.

Elementa(en)

A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.

Blood of Two(en)

The first collaboration between Matthew Barney & Elizabeth Peyton, Blood of Two is a unique, site-specific work that draws its references from Hydra itself – the surrounding environment, animals, humans, and local traditions are all part of the project in equal measure. Blood of Two centers on the former function of the Slaughterhouse and the customs of Hydra to establish connections between paganism and religion, ancient and modern, the ritualistic and familiar. As much as its conflicted terms strive for balance and fusion, it is Blood of Two’s greater resistance to these impulses, its failure to surrender unconditionally to them that ultimately counts, as a network of overlaps and crisscrosses.

Pelle vegetale. Un'intervista(it)

Burial Pyramid(en)

Mendieta, Ana: Burial Pyramide, Yagul, Mexico.