Reflections of a society(2021)

Time to Change(pt)

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

The Forgotten(en)

An exploration of memory after death.

The Mermaid(es)

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

The Perfect Selfie(fi)

Teenager Olivia Oras has 20,000 Instagram followers. The documentary follows a year of her life.

Todo Cambia(es)

A documentary that takes an in depth look at a government sanctioned art school in Cuba and its students. Interviews of various artists attending the school allow viewers a glimpse into their personal and professional lives.

Metaleurop germinal 2003(fr)

In Home God Remains(pt)

Religious imagery in Curado I, a small neighbourhood in the northeast of Brazil.

Rompamos con el maltrato(es)

Third Shift Coming Home(en)

This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.

Artificial(en)

Innocent nature walk leads to a discovery of the morbid nature of humans.

Uma casa, uma vida(pt)

Blue Collar & Buddha(en)

Exploration of prejudice and culture clash that a group of Laotian Buddhist refugees must endure in Rockford, Illinois.

In the same boat(en)

A documentary about the technological progress responsibility in employment destruction, analyzed by philosopher Zygmunt Bauman and others.

Bydlo(fr)

An experimental short film about wind and sunlight sweeping across tree leaves.

Things That Were There(en)

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

Guaret(ca)

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Wagah(hi)

Each night the only border crossing between India and Pakistan on a 1000km stretch becomes the sight of an extraordinary event. Thousands of people gather to witness the ritual closing of the border, after which the masses get as close as possible to the gate to greet their former neighbors. This "festival" is therefore on the one hand a celebration of the partition, but on the other hand also the only connecting element. What do the terms separation, home and proximity mean to the people on both sides?

Red Autumn(de)

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

IMG 0000(en)

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

The Female Offender(en)

An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.