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A Common Sequence(en)
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
beer cans under my bed(en)
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
Próxima Parada(pt)
Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.
All Five Millions of Us(pt)
"All Five Millions of Us" is a hybrid of documentary and fiction feature film about father absence, based on data released by the National Council of Justice: there are 5.5 million children without paternal recognition in Brazil.
The Garden Cadences(de)
Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.
No Norte da Saudade(pt)
Kalú Kariú, a trans artist and poet from northern Brazil, reflects on how “saudade”, an untranslatable feeling of profound nostalgic longing, becomes a powerful source of creation. After eight years away from his roots, Kalú invites us into a space where memory, distance and identity intertwine, and art is born from absence.
to boyhood, i never knew him(en)
Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
Speaking in Tongues: Take One(en)
A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
Phantasia(xx)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Exergo(eu)
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
ABBA: The Movie(en)
A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.
Deshilando Luz(es)
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
L'angoisse du héron(fr)
Three Walls and a Window(en)
A nuclear family sits in front of the television. The phone rings.
Sky to Soil(en)
A young couple with conflicting desires for intimacy attempt to celebrate their one-year anniversary.
Amelia 2.0(en)
After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
Where Is Amy Pressman(en)
In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.
Memories of Youth(en)
Grappling with the complexities of mental health and trauma in a digital age that feels isolating and overwhelming, a young person embarks on a surreal journey of self-discovery, navigating the raw truths of adolescence in an attempt to find a place in the world.