The Red Gate: Magellan at the Gates of Death, Part I

Moving Memories(pt)

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

fifteen zero three nineteenth of january two thousand sixteen(sv)

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

A lo Mejor Algún Día(es)

கோயில் (The Temple)(en)

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.

Outtakes from Jo(en)

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A Brief History of Circles(en)

An experimental video essay which uses circles and waves to explore neurodivergent experience.

The Parallel Coast(en)

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

detours while speaking of monsters(tr)

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

The Garden Cadences(de)

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

The Architects(en)

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)

á-B-C-D-é-F-G-H-CH-í-JONESTOWN(cs)

A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.

New Life(en)

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

Everything You've Ever Wanted in a 16MM Projector(en)

"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !

unbroken rhythms(en)

a poem. trees. fragments of fritz. love—and nothing besides!

A Film to Pass the Time(en)

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

Hunting Confessions(en)

"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."

Cherveno(bg)

A poetic exploration of heaven and hell, the apocalypse and the afterlife, through the lens of a VHS camera.

And there was evening and there was morning. The first day(en)

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.

FUCK TV(en)

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Feeling Right Now(zh)

An experimental film about the relation of Time and Space.