Vietnam Story(NaN)

Triumph and Ruins(it)

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Oblivion(ru)

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Tuktu and the Trials of Strength(en)

In this short docu-fiction film, strong and hardy Inuit hunters demonstrate and test their strength in boxing, tug-of-war, and other strenuous activities. We see and hear the drum dance, a demonstration of Inuit poetry and rhythm.

La quemada(es)

12 years later, a failed school short film is resignified to share the multiple experiences that exist in the creation of a film.

Sleepless far from home(fr)

Incapable of falling asleep, Mamadou starts to walk endlessly to tire himself and be able to have a final dream of where he was born.

Symbiopsychotaxiplasm: Take One(en)

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Ma bande magnétique arrière(fr)

As You Are(en)

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

Relatório de um Episódio Depressivo(pt)

My Throat, My Air(de)

Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.

Strawman(en)

After being exiled from his home by his mother, 11-year old Angel discovers a dilapidated scarecrow, and the pair develop an unusual relationship.

Feet in Water, Head on Fire(en)

Date palms imported and cultivated decades ago flourish in the Coachella Valley in Southern California. A cacophony of voices from across generations reflect on the shifting landscape of the region; some remember the first few acres that were planted, while others enjoy the luxuries of new golf courses. Feet in Water, Head on Fire is a sensorially vibrant 16mm experience that takes us on a journey of past, present, and future. Director Terra Long hand-processed the footage utilizing leftover dates and native plants intertwining the environment into the fabric of the film. Through complex and nuanced scenes, non-sync interviews blossom into a wonderfully gentle but memorable portrait of a community in flux.

154(it)

The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?

Con il mare negli occhi(it)

A young Calabrian woman just back from Gorizia tells a friend about her trip: what prompted her to go to Friuli-Venezia Giulia was her discovery of the poems and novels by one Carlo Michelstaedter, an author and philosopher who had died young, in 1910. What was the reason for his tragic death? And that odd yet familiar figure glimpsed on the beach, at the end of the trip, as the woman told it: who did it belong to?

Searching for Oscar(es)

Óscar Peyrou is a veteran Spanish film critic who writes his reviews according to a very peculiar method: in his opinion, it is not really necessary to watch the films since it is possible to judge them simply by looking at their promotional poster.

Amaranta(it)

Los días azules(ca)

Quatre altitudes bosniaques(fr)

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

Twin City Twist(en)

A silent dance documenting a brief visit to Minneapolis in the fall of 2022. A reflection on the sleeping city's tumultuous recent history through a recollected interaction and a plea for continued disturbance. Twin City Twist was shot on Kodak Tri-X reversal super 8 film with kaleidoscopic lenses. The film was scanned and edited digitally.